{"id":113689,"date":"2013-10-01T00:00:00","date_gmt":"2013-10-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-composicion-escenica-en-el-teatro-na\/"},"modified":"2013-10-01T00:00:00","modified_gmt":"2013-10-01T00:00:00","slug":"la-composicion-escenica-en-el-teatro-na","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teatro\/la-composicion-escenica-en-el-teatro-na\/","title":{"rendered":"La composici\u00f3n esc\u00e9nica en el teatro n\u00c1\u00b4"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juli\u00e1n Angel Herrero Mu\u00f1oz <\/strong><\/h2>\n<p>El teatro n\u00ed\u00b4 es la forma esc\u00e9nica que presenta un mayor grado de organizaci\u00f3n, por lo que el estudio de su composici\u00f3n esc\u00e9nica ser\u00eda una importante aportaci\u00f3n para las ense\u00f1anzas de arte dram\u00e1tico y para la creaci\u00f3n teatral encaminada a la renovaci\u00f3n esc\u00e9nica.En esta tesis se analizan todos los elementos compositivos del teatro n\u00ed\u00b4, as\u00ed  como los conceptos est\u00e9ticos que los animan, contrastando todo ello con los procedimientos y metodolog\u00edas m\u00e1s relevantes en las reformas teatrales del siglo xx y con los principios de percepci\u00f3n art\u00edstica que inciden en la disciplina de la composici\u00f3n esc\u00e9nica.Para este trabajo, el doctorando tambi\u00e9n se ha basado en su experiencia personal estudiando el teatro n\u00ed\u00b4 en jap\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La composici\u00f3n esc\u00e9nica en el teatro n\u00c1\u00b4<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La composici\u00f3n esc\u00e9nica en el teatro n\u00c1\u00b4 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juli\u00e1n Angel Herrero Mu\u00f1oz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/01\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Inmaculada Jimenez Huertas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Antonio Sanchez Martinez <\/li>\n<li>Francisco Lagares prieto (vocal)<\/li>\n<li>Jos\u00e9 Miguel Elvira arechavaleta (vocal)<\/li>\n<li>Juan  Luis Moraza p\u00e9rez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juli\u00e1n Angel Herrero Mu\u00f1oz El teatro n\u00ed\u00b4 es la forma esc\u00e9nica que presenta un mayor grado de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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