{"id":113737,"date":"2018-03-11T10:41:20","date_gmt":"2018-03-11T10:41:20","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudios-sobre-la-descripcion-de-la-tierra-habitada-de-dionisio-el-periegeta\/"},"modified":"2018-03-11T10:41:20","modified_gmt":"2018-03-11T10:41:20","slug":"estudios-sobre-la-descripcion-de-la-tierra-habitada-de-dionisio-el-periegeta","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/geografia\/estudios-sobre-la-descripcion-de-la-tierra-habitada-de-dionisio-el-periegeta\/","title":{"rendered":"Estudios sobre la descripci\u00f3n de la tierra habitada de dionisio el periegeta"},"content":{"rendered":"

Tesis doctoral de Adriano Mu\u00f1oz Pascual <\/strong><\/h2>\n

Resumen. 1. Objetivos de la tesis. el objetivo principal de la presente tesis consiste en profundizar en el conocimiento de la descripci\u00f3n de la tierra habitada (en griego, ?????????? ??????????), Poema \u00e9pico de corte did\u00e1ctico de 1186 hex\u00e1metros, compuesto durante la primera mitad del siglo ii d.C. Por dionisio el periegeta, poeta y erudito de la ciudad de alejandr\u00eda, el cual, siguiendo los patrones est\u00e9ticos y literarios de los poetas helen\u00edsticos, ofrece al lector una descripci\u00f3n del mundo habitado, que fue muy apreciada en la antig\u00ed\u00bcedad tard\u00eda y en la edad media. Para tal fin hemos realizado un estudio global que permita determinar las caracter\u00edsticas internas de la obra as\u00ed como su posici\u00f3n dentro de la tradici\u00f3n literaria y geogr\u00e1fica griega. 2. Metodolog\u00eda. para el desarrollo de nuestro trabajo nos atenemos al tradicional m\u00e9todo filol\u00f3gico, prestando especial atenci\u00f3n al texto griego como base de an\u00e1lisis. En primer lugar hacemos una introducci\u00f3n a dionisio, a la periegesis y a la \u00e9poca en la que \u00e9sta se gest\u00f3; luego pasamos a estudiar la estructura del poema y sus respectivas partes, as\u00ed como los diferentes elementos compositivos y recursos empleados por dionisio, entre ellos los a\u00edtia; m\u00e1s adelante pasamos a un an\u00e1lisis m\u00e9trico exhaustivo, en el que tambi\u00e9n trataremos cuestiones de prosodia; a continuaci\u00f3n atendemos una serie de cuestiones relativas a la lengua, al l\u00e9xico y al estilo de dionisio; despu\u00e9s confeccionamos dos estudios que demuestran la importancia de la mitolog\u00eda y la religi\u00f3n en el poema, dedicados a los dioses y a los h\u00e9roes respectivamente; y para concluir realizamos un an\u00e1lisis de la influencia de la tradici\u00f3n literaria anterior en el poema de dionisio, as\u00ed como de la pervivencia de \u00e9ste en los escritores posteriores. \tal final de la tesis a\u00f1adimos varios anexos complementarios a nuestro estudio: el primero consiste en el texto griego que seguimos, la edici\u00f3n de tsavari revisada, con la que mantenemos una serie de discrepancias; el segundo es nuestra traducci\u00f3n del mismo, ya que consideramos conveniente que el lector pueda cotejarla cuando le parezca oportuno; el tercero incluye el an\u00e1lisis m\u00e9trico de los 1186 hex\u00e1metros; y, finalmente, el cuarto es un breve estudio panor\u00e1mico de la cartograf\u00eda en la antig\u00ed\u00bcedad, y sus influencias en el medievo y el renacimiento. 3. Conclusiones. estas son las principales conclusiones y aportaciones: –\tdionisio el periegeta, natural de alejandr\u00eda, vivi\u00f3 durante el reinado de los emperadores trajano y adriano. Compuso la periegesis entre los a\u00f1os 132-138 d.C. –\tla periegesis es un poema \u00e9pico did\u00e1ctico de tem\u00e1tica geogr\u00e1fica, en el que hallamos diversos elementos literarios, mitol\u00f3gicos e hist\u00f3ricos. La etiolog\u00eda tambi\u00e9n es fundamental. –\ten el aspecto m\u00e9trico y estil\u00edstico, dionisio se asemeja enormemente a los helen\u00edsticos, y, en el aspecto r\u00edtmico, a los poetas did\u00e1cticos hes\u00edodo y arato. Su principal referente es el hex\u00e1metro de apolonio. –\tla lengua es la del ???? Hom\u00e9rico, si bien con ecos de otros g\u00e9neros po\u00e9ticos. Pese a la imitatio hom\u00e9rica, el influjo del l\u00e9xico griego tard\u00edo queda patente en el poema. –\tla importancia de la mitolog\u00eda y la religi\u00f3n queda patente en la obra. Destacan dos deidades del pante\u00f3n heleno: zeus y dioniso. –\tconstatamos que la periegesis se basa principalmente en dos g\u00e9neros literarios: la poes\u00eda \u00e9pica (homero, hes\u00edodo, apolonio, cal\u00edmaco y arato); y la prosa geogr\u00e1fica (fundamentalmente estrab\u00f3n). Pero tambi\u00e9n encontramos en la obra influencia de otros g\u00e9neros. –\tconfirmamos la enorme importancia que el poema de dionisio tuvo en la antig\u00ed\u00bcedad tard\u00eda y la edad media, sobre todo en la poes\u00eda \u00e9pica, en la poes\u00eda epigram\u00e1tica, en la prosa geogr\u00e1fica y en la historiograf\u00eda. abstract. 1. Objectives of the thesis. the main objective of this thesis is to deepen the understanding of the description of the inhabited land (in greek, ?????????? ??????????), An epic didactic poem of 1186 hexameters, composed during the first half of the 2nd century a.D. By dionysius periegetes, poet and scholar of the city of alexandria, who, following the aesthetic and literary patterns of the hellenistic poets, offers the reader a description of the inhabited world, which was very appreciated in late antiquity and the middle ages. For this purpose, we have made a comprehensive study that allows to determine the internal characteristics of the work as well as its position within the greek geographical and literary tradition. 2. Methodology. for the development of our work we adhere to the traditional philological methods, with special attention to the greek text as a basis for the analysis. First we make an introduction to dionysius, the peri\u00e9gesis and the era in which poem was conceived; in second place we study the structure of the poem and its respective parts, as well as the different compositional elements and resources used by dionisio, the a\u00edtia among them; next we pass to a comprehensive metric analysis, in which we also deal with issues of prosody; then we attend a number of questions relating to the language, lexicon and the style of dionysius; afterward we made two studies demonstrating the importance of mythology and religion in the poem, dedicated to the gods and heroes respectively; and to conclude, we carry out an analysis of the influence of the previous literary tradition in the poem of dionysus, as well as the survival of this in later writers. \tat the end of the thesis we add several supplementary appendices: the first one is the greek text that we follow, the tsavari's edition revised, with which we maintain a series of discrepancies; the second one is our translation, since we believe suitable that the reader can check it when it seems appropriate; the third includes the metric analysis of the 1186 hexameters; and, finally, the fourth is a short panoramic study of cartography in antiquity, and their influences on the middle ages and the renaissance. 3. Conclusions. these are the main conclusions and contributions: –\tdionysius periegetes, native of alexandria, lived during the reign of the emperors trajan and hadrian. He composed the the peri\u00e9gesis between the years 132-138 d.C. –\tthe peri\u00e9gesis is a epic didactic poem with a geographical theme, in which we find various literary, mythological and historical elements. The etiology is also essential. –\ton the metric and stylistic, dionysius is akin to the hellenistic, and in the rhythmic aspect, is akin to the didactic poets hesiod and aratus. Its main reference is the apollonius rhodius' hexameter. –\tthe language is the greek of the homeric ????, Albeit with echoes of other poetic genres. Despite the homeric imitatio, the influence of the late greek lexicon is evident in the poem. –\tthe importance of mythology and religion is reflected in the work. Two deities of the greek pantheon stand out from the rest: zeus and dionysus. –\twe find that the peri\u00e9gesis is mainly based on two genres: epic poetry (homer, hesiod, apollonius, callimachus and arato) and geographical prose (mainly strabo). But we also find in the work influence of other genres. –\twe confirm the great importance that the poem of dionysius had in late antiquity and the middle ages, especially in epic poetry, in epigrammatic poetry, in geographical prose and historiography.<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abEstudios sobre la descripci\u00f3n de la tierra habitada de dionisio el periegeta<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 Estudios sobre la descripci\u00f3n de la tierra habitada de dionisio el periegeta <\/li>\n
  • Autor:<\/strong>\u00a0 Adriano Mu\u00f1oz Pascual <\/li>\n
  • Universidad:<\/strong>\u00a0 Murcia<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 18\/01\/2013<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Mar\u00eda no Valverde Sanchez<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: francisca Moya del ba\u00f1o <\/li>\n
        • Jos\u00e9 Mar\u00eda Candau mor\u00f3n (vocal)<\/li>\n
        • Jos\u00e9 guillermo Montes cala (vocal)<\/li>\n
        • Jos\u00e9 Garcia lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Adriano Mu\u00f1oz Pascual Resumen. 1. Objetivos de la tesis. el objetivo principal de la presente tesis consiste […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[3925,2142,1399,8235],"tags":[225747,142970,3629,20580,225748,194654],"class_list":["post-113737","post","type-post","status-publish","format-standard","hentry","category-estilo-y-retorica","category-filologia","category-geografia","category-murcia","tag-adriano-munoz-pascual","tag-francisca-moya-del-bano","tag-jose-garcia-lopez","tag-jose-guillermo-montes-cala","tag-jose-maria-candau-moron","tag-maria-no-valverde-sanchez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/113737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=113737"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/113737\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=113737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=113737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=113737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}