{"id":113917,"date":"2013-08-03T00:00:00","date_gmt":"2013-08-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/amb-les-mans-del-pensament-al-fet-la-maison-prouve-a-nancy\/"},"modified":"2013-08-03T00:00:00","modified_gmt":"2013-08-03T00:00:00","slug":"amb-les-mans-del-pensament-al-fet-la-maison-prouve-a-nancy","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/tecnologia-de-la-construccion\/amb-les-mans-del-pensament-al-fet-la-maison-prouve-a-nancy\/","title":{"rendered":"Amb les mans. del pensament al fet? la maison prouv\u00e9 a nancy"},"content":{"rendered":"<h2>Tesis doctoral de <strong> David Tapias Monne <\/strong><\/h2>\n<p>El proc\u00e9s de materialitzaci\u00f3 -pensar i fer- de la maison prouv\u00e9, presenta moltes contradiccions i incoher\u00e9ncies si s\u00c2\u00bfanalitza nom\u00e9s des del punt de vista del projecte arquitect\u00ed\u00b2nic. Cal introduir un altre enfocament cr\u00edtic, que t\u00e9 el seu origen en la formaci\u00f3 de serraller de jean prouv\u00e9, la seva producci\u00f3 dins de tallers, i la passi\u00f3 per la invenci\u00f3 constant, que porten a unes prioritats diferents de les de molts dels seus col\u00c2\u00b7laboradors en aquest projecte, amb formaci\u00f3 universit\u00ed\u00a0ria d\u00c2\u00bfarquitecte.   aquestes dues maneres de pensar s\u00f3n incorporades a la gestaci\u00f3 d\u00c2\u00bfaquesta casa gr\u00ed\u00a0cies a la l\u00ed\u00b2gica inclusiva de jean prouv\u00e9, i la sin\u00e9rgia pr\u00ed\u00b2pia del pensament t\u00e9cnic. Aquestes dues maneres de fer conviuen en el nostre objecte d\u00c2\u00bfestudi, tot i que en alguns moments es separen, apareixen tensions i buits entre elles. \u00e9s en aquests moments quan es pens\u00ed\u00a0, constru\u00ed i habit\u00ed\u00a0 la maison prouv\u00e9.  el nostre objecte d\u00c2\u00bfestudi \u00e9s alhora projecte i invent, construcci\u00f3 i assemblatge, casa i aixopluc.  en la darrera entrevista que jean prouv\u00e9 conced\u00ed, deu dies abans de morir, al s\u00e9jour de casa seva, explica que:  `tout ce que je vous explique n\u00c2\u00bfa pas \u00e9t\u00e9 dessin\u00e9; c\u00c2\u00bfest venu \u00ed\u00a0 l\u00c2\u00bfobservation. Il fallait tirer parti des mat\u00e9riaux. Si on ne le manipule pas, on ne peut imaginer qu\u00c2\u00bfun panneau de bois soit souple. Aussi le mouvement de la oiture n\u00c2\u00bfa jamais \u00e9t\u00e9 dessin\u00e9\u00c2\u00bf.  `il a fallu que je vire de bord \u00ed\u00a0 180o et que, n\u00c2\u00bfayant pas de moyens, je construise avec des restes, car ma maison est construite avec des restes\u00c2\u00bf.  `quand on construit, il faut penser en particulier au site, et \u00ed\u00a0 tout ce qui en d\u00e9pend\u00c2\u00bf\u00c2\u00bf.  `or, toute la maison est l\u00ed\u00a0. Le reste n\u00c2\u00bfest plus que de la cloison install\u00e9e \u00ed\u00a0 l\u00c2\u00bfinterieur\u00c2\u00bf.  una primera aproximaci\u00f3 a tots els documents que es conserven sobre aquesta casa ens podria induir a desmentir aquestes afirmacions. Una an\u00ed\u00a0lisi en profunditat d\u00c2\u00bfaquests ens permetr\u00ed\u00a0 entendre qu\u00e9 volia dir prouv\u00e9.  aquesta entrevista ha contribu\u00ed\u00aft a crear un aire de llegenda al voltant del nostre objecte d\u00c2\u00bfestudi \u00c2\u00bfla maison prouv\u00e9. Tot i tractar-se d\u00c2\u00bfuna casa coneguda i publicada, mai s\u00c2\u00bfha fet cap investigaci\u00f3 sobre com es va pensar, fer i habitar. En aquesta recerca descriurem i explicarem aquest proc\u00e9s per entendre\u00c2\u00bfl.  les aportacions d\u00c2\u00bfaquesta tesi s\u00f3n:  1. Primera investigaci\u00f3 espec\u00edfica sobre la maison prouv\u00e9. 2. Una investigaci\u00f3 sobre com es va pensar, com es va fer i com es va habitar, a partir de tots els documents \u00c2\u00bfla pr\u00ed\u00b2pia casa inclosa- que es conserven sobre aquest objecte d\u00c2\u00bfestudi. 3. Ordenaci\u00f3 i catalogaci\u00f3 definitiva de la documentaci\u00f3 conservada a diferents arxius sobre aquesta casa. 4. Primer aixecament gr\u00ed\u00a0fic dels documents de projecte i de l\u00c2\u00bfobjecte constru\u00ed\u00aft. 5. Comprovaci\u00f3 de les hip\u00ed\u00b2tesis mitjan\u00ed\u00a7ant una an\u00ed\u00a0lisi rigorosa d\u00c2\u00bfaquests documents, que ens permetr\u00ed\u00a0 reconstruir el proc\u00e9s de materialitzaci\u00f3 d\u00c2\u00bfaquesta casa. 6. Reflexi\u00f3 sobre la formaci\u00f3 manual d\u00c2\u00bfun constructor, i sobre la integraci\u00f3 dels mitjans de disseny i producci\u00f3. Sobre maneres de projectar inclusives, el pensament t\u00e9cnic \u00c2\u00bfsinergia- i, indirectament, sobre les contradiccions dels intents d\u00c2\u00bfindustrialitzaci\u00f3 de la construcci\u00f3 durant la primera meitat del s. Xx.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Amb les mans. del pensament al fet? la maison prouv\u00e9 a nancy<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Amb les mans. del pensament al fet? la maison prouv\u00e9 a nancy <\/li>\n<li><strong>Autor:<\/strong>\u00a0 David Tapias Monne <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de catalunya<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/03\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Moises Gallego Olmos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jaume Avellaneda diaz grande <\/li>\n<li>Jos\u00e9 Mar\u00eda Merc\u00e9 hospital (vocal)<\/li>\n<li>Manuel Ferrer sala (vocal)<\/li>\n<li>emiliano Lopez matas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de David Tapias Monne El proc\u00e9s de materialitzaci\u00f3 -pensar i fer- de la maison prouv\u00e9, presenta moltes contradiccions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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