{"id":113941,"date":"2018-03-11T10:41:43","date_gmt":"2018-03-11T10:41:43","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-paisaje-en-la-pintura-murciana-en-la-segunda-mitad-del-siglo-xx\/"},"modified":"2018-03-11T10:41:43","modified_gmt":"2018-03-11T10:41:43","slug":"el-paisaje-en-la-pintura-murciana-en-la-segunda-mitad-del-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte\/el-paisaje-en-la-pintura-murciana-en-la-segunda-mitad-del-siglo-xx\/","title":{"rendered":"El paisaje en la pintura murciana en la segunda mitad del siglo xx"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Enrique Mena Garcia <\/strong><\/h2>\n<p>El paisaje en la pintura murciana en la segunda mitad del siglo xx la tesis doctoral comprende un an\u00e1lisis arriesgado en el g\u00e9nero paisaj\u00edstico de la regi\u00f3n de murcia, intensa en abundancia de buenos pintores, g\u00e9nero tan presente que algunos lo hacen se\u00f1a de identidad, y enaltecen su noble arte. Comienza la tesis con una breve incursi\u00f3n en el concepto e historia del paisaje, seguido de una introducci\u00f3n contextual necesaria para poder desembocar en los pintores que son eje inequ\u00edvoco de la tesis, situada desde mediados de siglo xx, cuando la posguerra hace mella en la sociedad espa\u00f1ola, sujeta a unos cimientos forjados en la generaci\u00f3n del 20. un nutrido grupo que sienta un aporte alternativo y de vanguardia nunca visto en tierras murcianas, recogido como &quot;eclosi\u00f3n pict\u00f3rica&quot; en el desarrollo de la tesis. Pintores que marcar\u00e1n nuestra pauta esencial para entender las conclusiones con diversas vertientes o tendencias dentro del paisaje, ya sea muralista, cl\u00e1sica, abstracta, de vanguardia o geom\u00e9trica, escogidos en orden cronol\u00f3gico y detallando en la medida de lo posible sus vidas. Estos son: mariano ballester, molina s\u00e1nchez, mu\u00f1oz barber\u00e1n, asensio s\u00e1ez, antonio hern\u00e1ndez carpe, antonio medina bard\u00f3n, enrique gabriel navarro, ram\u00f3n alonso luzzy, jos\u00e9 m\u00aa falgas, aurelio p\u00e9rez, pedro s\u00e1nchez borreguero, \u00e1ngel pina nortes, m\u00aa dolores andreo, francisco serna, \u00e1ngel hernans\u00e1ez, jos\u00e9 m\u00aa p\u00e1rraga, fulgencio saura mira, y manuel avellaneda. continuaremos la tesis con pintores generacionalmente posteriores, dejando la puerta abierta a promociones que contin\u00faan a\u00fan y venideras. Un reto del paisaje que esperemos sea esperanzador, aunque nunca podr\u00e1 ser igual a estos dieciocho pintores que tienen una firme forma de ver el paisaje. Cerraremos la tesis con un necesario apunte de escultura murciana del xx, para seguidamente adentrarnos en las salas, museos y galer\u00edas de arte que ofrecieron u ofrecen obra de este grupo tan nutrido. con una bibliograf\u00eda extensa, y sobre todo un anexo fundamental en im\u00e1genes podremos asimilar los posibles grupos de pintores y formas de entender el paisaje, acompa\u00f1ado de cientos de im\u00e1genes de esos dieciocho pintores para reforzar y apoyar las afirmaciones y conclusiones realizadas, junto con la prueba manifiesta de la rica en pintura murciana.  vocabulario clave: grupo el puente el paisaje  costumbrismo y regionalismo escuela de Madrid la murcia de la di\u00e1spora diputaci\u00f3n provincial real sociedad econ\u00f3mica amigos del pa\u00eds pirograbado la hoja del lunes generaci\u00f3n del 20  escuela del malec\u00f3n premio villacis generaci\u00f3n puente o maldita generaci\u00f3n guadiana generaci\u00f3n de posguerra plaza de la cruz the landscape painting in murcia in the second half of the twentieth century  the doctoral thesis includes a risky analysis on landscape gender of the region of murcia, intense in abundance of good painters, this current genre which some people do hallmark, and exalt its noble art. Thesis begins with a brief foray into the concept and history of the landscape, followed by a contextual introduction needed to lead in the painters who are an unequivocal thesis axis, located in the mid-twentieth century, when the war influences on spanish society and it is subject to a foundation forged in the  20 generation.  a large group which feel a contribution and pioneering alternative never seen in murcia, collected as &quot;emergence pictorial&quot; in the development of the thesis. Painters that will mark our essential guide to understanding the conclusions with different aspects or trends within the landscape, either muralist, classic, abstract or geometric edge, chosen in chronological order detailing as far as possible their lives. These are: mariano ballester, molina s\u00e1nchez, mu\u00f1oz barber\u00e1n, asensio saez, antonio hernandez carpe, antonio medina bard\u00f3n, enrique gabriel navarro, ram\u00f3n alonso luzzy, jos\u00e9 m \u00aa falgas, aurelio perez, pedro sanchez borreguero, angel pina nortes, m \u00aa dolores andreo, francisco serna, angel hernans\u00e1ez, jos\u00e9 m \u00aa p\u00e1rraga, fulgencio saura mira, and manuel avellaneda.  we will continue the thesis with painters generationally later, leaving the door open to further developments and future continuing. A challenge of the landscape we think being hopefully, but it can never be equal to these eighteen artists who have a strong way to see the landscape. We will close the thesis with a necessary point of the  murcia sculpture in the twentieth century, to then get into the halls, museums and art galleries that offered or offer work of this nourished group.  with an extensive bibliography, and above all a fundamental annex with images we can assimilate possible groups of painters and ways of understanding the landscape, accompanied by hundreds of images of those eighteen artists to strengthen and support the statements and conclusions made, along with the obvious proof of the rich murcian painting.  key vocabulary: the bridge group the landscape manners and regionalism school of Madrid the diaspora of murcia provincial royal economic society friends of the country pyrography the monday leaf generation of 20 school malec\u00f3n villacis award generation bridge or damn guadiana generation baby boomers plaza de la cruz<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El paisaje en la pintura murciana en la segunda mitad del siglo xx<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El paisaje en la pintura murciana en la segunda mitad del siglo xx <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Enrique Mena Garcia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/03\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Angel Hern\u00e1ndez Navarro<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: martin Paez burruezo <\/li>\n<li>Miguel angel Hidalgo garcia (vocal)<\/li>\n<li>Antonio Parra pujante (vocal)<\/li>\n<li>Jos\u00e9 Alberto Bernardeau ruiz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Enrique Mena Garcia El paisaje en la pintura murciana en la segunda mitad del siglo xx la 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