{"id":114076,"date":"2018-03-11T10:41:54","date_gmt":"2018-03-11T10:41:54","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/registro-fotografico-y-performatividad-directorial-recorrido-por-las-estrategias-de-expansion-del-campo-y-la-practica-fotografica-en-el-arte-contemporaneo\/"},"modified":"2018-03-11T10:41:54","modified_gmt":"2018-03-11T10:41:54","slug":"registro-fotografico-y-performatividad-directorial-recorrido-por-las-estrategias-de-expansion-del-campo-y-la-practica-fotografica-en-el-arte-contemporaneo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/registro-fotografico-y-performatividad-directorial-recorrido-por-las-estrategias-de-expansion-del-campo-y-la-practica-fotografica-en-el-arte-contemporaneo\/","title":{"rendered":"Registro fotogr\u00e1fico y performatividad directorial. recorrido por las estrategias de expansi\u00f3n del campo y la pr\u00e1ctica fotogr\u00e1fica en el arte contempor\u00e1neo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Joseba I\u00f1aki Billelabeitia Bengoa <\/strong><\/h2>\n<p>El objeto de estudio de esta investigaci\u00f3n se centra en un recorrido por ciertas pr\u00e1cticas del arte contempor\u00e1neo que considera las relaciones entre registro fotogr\u00e1fico, la dimensi\u00f3n performativa y la escenificaci\u00f3n de \u00c2\u00bfrealidades\u00c2\u00bf. Estas pr\u00e1cticas se plantean desde una convergencia dial\u00e9ctica que se establece a partir de estrategias de car\u00e1cter fotogr\u00e1fico que denominamos performativo directoriales, encauzados por discursos de mediaci\u00f3n de la experiencia art\u00edstica en la forma del cuadro fotogr\u00e1fico y videografico, que desplazan y expanden el campo de la fotograf\u00eda.Una primera parte realiza un recorrido en torno a las consideraciones sobre el medio y lo fotogr\u00e1fico, su evoluci\u00f3n en relaci\u00f3n al registro y estilo documental, as\u00ed como a su conceptualizaci\u00f3n en el sistema del arte. Una segunda parte trata de establecer las estrategias y modelos de emergencia tanto de lo performativo como de lo directorial en la puesta en escena en relaci\u00f3n a la pr\u00e1ctica fotogr\u00e1fica contempor\u00e1nea. Una relaci\u00f3n de concordancia que plantea implicaciones ontol\u00f3gicas y discursivas tanto anal\u00edticas como de construcci\u00f3n identitaria que, como se\u00f1alamos, generan una nueva expansi\u00f3n de la fotograf\u00eda. Se revelan as\u00ed una serie de mecanismos, abiertos tanto por la dimensi\u00f3n performativa y directorial de lo fotogr\u00e1fico, como tambi\u00e9n, por  las formas de hacer ligadas a otros medios y disciplinas como la pintura, la escultura, el video o el cine -de los cuales prestan o adoptan patrones, reemplaz\u00e1ndolos en sus propios medios y soportes-, que ampl\u00edan el campo de actuaci\u00f3n de las practicas de lo fotogr\u00e1fico sobre todo hacia procesos de audiovisualizaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Registro fotogr\u00e1fico y performatividad directorial. recorrido por las estrategias de expansi\u00f3n del campo y la pr\u00e1ctica fotogr\u00e1fica en el arte contempor\u00e1neo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Registro fotogr\u00e1fico y performatividad directorial. recorrido por las estrategias de expansi\u00f3n del campo y la pr\u00e1ctica fotogr\u00e1fica en el arte contempor\u00e1neo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Joseba I\u00f1aki Billelabeitia Bengoa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/04\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Angel Garcia Gonzalez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josu Rekalde izaguirre <\/li>\n<li>Jos\u00e9 Chavete rodriguez (vocal)<\/li>\n<li>Mar\u00eda  Jos\u00e9 Martinez de pison ramon (vocal)<\/li>\n<li>Miguel Molina alarc\u00f3n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Joseba I\u00f1aki Billelabeitia Bengoa El objeto de estudio de esta investigaci\u00f3n se centra en un recorrido por [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4510,5270,12909,1111],"tags":[6495,226289,28148,44576,117895,31322],"class_list":["post-114076","post","type-post","status-publish","format-standard","hentry","category-estetica-de-las-bellas-artes","category-fotografia","category-pais-vasco-euskal-herriko-unibertsitatea","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-jose-chavete-rodriguez","tag-joseba-inaki-billelabeitia-bengoa","tag-josu-rekalde-izaguirre","tag-maria-jose-Martinez-de-pison-ramon","tag-miguel-angel-garcia-gonzalez","tag-miguel-molina-alarcon"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=114076"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114076\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=114076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=114076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=114076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}