{"id":114172,"date":"2018-03-11T10:42:05","date_gmt":"2018-03-11T10:42:05","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/tradicion-y-vanguardia-en-la-pintura-espanola-de-paisaje-entre-1915-y-1926-a-traves-de-la-obra-el-ano-arta%c2%adstico-del-cra%c2%adtico-de-arte-jose-frances\/"},"modified":"2018-03-11T10:42:05","modified_gmt":"2018-03-11T10:42:05","slug":"tradicion-y-vanguardia-en-la-pintura-espanola-de-paisaje-entre-1915-y-1926-a-traves-de-la-obra-el-ano-arta%c2%adstico-del-cra%c2%adtico-de-arte-jose-frances","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte-de-los-siglos-xix-y-xx\/tradicion-y-vanguardia-en-la-pintura-espanola-de-paisaje-entre-1915-y-1926-a-traves-de-la-obra-el-ano-arta%c2%adstico-del-cra%c2%adtico-de-arte-jose-frances\/","title":{"rendered":"Tradici\u00f3n y vanguardia en la pintura espa\u00f1ola de paisaje entre 1915 y 1926 a trav\u00e9s de la obra \u00abel a\u00f1o art\u00edstico\u00bb del cr\u00edtico de arte jos\u00e9 franc\u00e9s."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Luis Antequera Lucas <\/strong><\/h2>\n<p>Resumen la tesis pretende contribuir a un nuevo enfoque en la historiograf\u00eda del arte espa\u00f1ol de primeros de siglo xx y en concreto, del g\u00e9nero del paisaje. se apoya en el m\u00e9todo historicista para demostrar que en espa\u00f1a el arte acompa\u00f1a las creencias y valores entre 1915 y 1926, no aceptando la sociedad espa\u00f1ola las vanguardias del momento (futurismo, cubismo y expresionismo) y cuestionando el llamado &quot;arte nuevo&quot; que no es sino  una  trasposici\u00f3n del post-impresionismo franc\u00e9s tra\u00eddo a espa\u00f1a por los pintores espa\u00f1oles de par\u00eds. el espectador rechazar\u00e1 la obra de arte en la misma proporci\u00f3n que \u00e9sta no interprete sus creencias valores y representaciones familiares, reconocibles. analiza seis generaciones de paisajistas incidiendo en las dos generaciones objeto de estudio: generaci\u00f3n de 1914 y de 1927. Se fundamenta la tesis en la teor\u00eda de las generaciones de ortega y gasset y en los doce vol\u00famenes de la obra &quot;el a\u00f1o art\u00edstico&quot;. palabras clave:  pintura.  Paisaje. Vanguardia. Arte nuevo. Realismo. Generaci\u00f3n.  summary this thesis offers a new approach to the historiography of spanish art in the early 20th century, specifically to the landscape genre. the research draws on the historicist method to show that in spain, art accompanied beliefs and values between 1915 and 1926. Spanish society did not accept the avant-garde of the time (futurism, cubism and expressionism) and questioned the so-called arte nuevo [new art], which was merely a transposition of french post-impressionism brought to spain by spanish painters in paris.  viewers rejected art work to the same extent as it failed to interpret their recognisable beliefs, values and familiar representations. six generations of landscape artists are analysed that influenced the generations focused on in this study: that of 1914 and 1927. This thesis is based upon the &quot;theory of generations&quot; propounded by ortega y gasset and on the twelve volumes of the work &quot;el a\u00f1o art\u00edstico&quot;.  keywords:  painting.  Landscape. Avant-garde. Arte nuevo. Realism. Generation.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Tradici\u00f3n y vanguardia en la pintura espa\u00f1ola de paisaje entre 1915 y 1926 a trav\u00e9s de la obra \u00abel a\u00f1o art\u00edstico\u00bb del cr\u00edtico de arte jos\u00e9 franc\u00e9s.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Tradici\u00f3n y vanguardia en la pintura espa\u00f1ola de paisaje entre 1915 y 1926 a trav\u00e9s de la obra \u00abel a\u00f1o art\u00edstico\u00bb del cr\u00edtico de arte jos\u00e9 franc\u00e9s. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Luis Antequera Lucas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/05\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Cristobal Belda Navarro<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alfonso Rodriguez g. de ceballos <\/li>\n<li>Mar\u00eda  concepcion de la Pe\u00f1a velasco (vocal)<\/li>\n<li>Alberto Darias pr\u00edncipe (vocal)<\/li>\n<li>elias Hernandez albaladejo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Luis Antequera Lucas Resumen la tesis pretende contribuir a un nuevo enfoque en la historiograf\u00eda del 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