{"id":114274,"date":"2013-12-06T00:00:00","date_gmt":"2013-12-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/pintura-materica-y-tridimensional-evolucion-y-situacion-actual-reflexiones-teorico-practicas\/"},"modified":"2013-12-06T00:00:00","modified_gmt":"2013-12-06T00:00:00","slug":"pintura-materica-y-tridimensional-evolucion-y-situacion-actual-reflexiones-teorico-practicas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/pintura-materica-y-tridimensional-evolucion-y-situacion-actual-reflexiones-teorico-practicas\/","title":{"rendered":"Pintura mat\u00e9rica y tridimensional. evoluci\u00f3n y situaci\u00f3n actual. reflexiones te\u00f3rico-pr\u00e1cticas"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carlos Callizo Gutierrez <\/strong><\/h2>\n<p>La tesis aborda la aparici\u00f3n y desarrollo de la tercera dimensi\u00f3n en la pintura, es decir, la progresiva incorporaci\u00f3n del volumen como recurso expresivo de este arte, a priori bidimensional. analiza la evoluci\u00f3n hist\u00f3rica del fen\u00f3meno desde las primeras pinceladas densas, hasta las manifestaciones m\u00e1s abiertamente tridimensionales, donde la propia materia y elementos a\u00f1adidos se convierten en la raz\u00f3n de ser de la obra.  tambi\u00e9n estudia la cuesti\u00f3n desde una perspectiva filos\u00f3fica y est\u00e9tica, analizando la propia naturaleza de la pintura en busca de las motivaciones que han empujado a los pintores al empleo de estrategias tridimensionales, as\u00ed como de las aportaciones que estas hayan podido suponer. la parte experimental est\u00e1 constituida por un conjunto de obras pict\u00f3ricas, fruto del proceso de documentaci\u00f3n, estudio y reflexi\u00f3n, complement\u00e1ndolo y formando un todo homog\u00e9neo.  material painting and three-dimensional. evolution and current situation. Theoretical and practical considerations. the thesis addresses the question of the emergence and development of the third dimension in painting, i.E. The progressive incorporation of volume like an expressive resource of this art, initially two-dimensional. it analyze the historical evolution of the phenomenon from the first strokes dense, until more openly three-dimensional demonstrations, where the material itself and added elements become the raison d&apos;\u00ed\u00aatre of the work. it also examines the question from a philosophical and aesthetic perspective, analyzing the nature of painting in search of the motivations that drove painters to the use of three-dimensional strategies, as well as the contributions that these have been assumed. the experimental part is composed of a set of paintings, the result of the process of documentation, study and reflection, supplementing and forming a homogeneous whole.  palabras clave: arte, arte contempor\u00e1neo, artes pl\u00e1sticas, pintura, pintura mat\u00e9rica, pintura material, tridimensional, pintura tridimensional, pintura expandida, volumen pict\u00f3rico, materia pict\u00f3rica, textura, relieve, collage, assemblage, instalaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Pintura mat\u00e9rica y tridimensional. evoluci\u00f3n y situaci\u00f3n actual. reflexiones te\u00f3rico-pr\u00e1cticas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Pintura mat\u00e9rica y tridimensional. evoluci\u00f3n y situaci\u00f3n actual. reflexiones te\u00f3rico-pr\u00e1cticas <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carlos Callizo Gutierrez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/06\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Aznar Minguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rafael S\u00e1nchez-carralero l\u00f3pez <\/li>\n<li>domingo Oliver rubio (vocal)<\/li>\n<li>julio Alberto Martin  martin (vocal)<\/li>\n<li>Francisco Javier G\u00f3mez de segura hern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carlos Callizo Gutierrez La tesis aborda la aparici\u00f3n y desarrollo de la tercera dimensi\u00f3n en la pintura, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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