{"id":11428,"date":"2018-03-09T08:56:47","date_gmt":"2018-03-09T08:56:47","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/esteticas-del-arte-electronico-o-del-arte-hacia-el-sistema-sintopia-entre-arte-ciencia-y-tecnologia\/"},"modified":"2018-03-09T08:56:47","modified_gmt":"2018-03-09T08:56:47","slug":"esteticas-del-arte-electronico-o-del-arte-hacia-el-sistema-sintopia-entre-arte-ciencia-y-tecnologia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/esteticas-del-arte-electronico-o-del-arte-hacia-el-sistema-sintopia-entre-arte-ciencia-y-tecnologia\/","title":{"rendered":"Esteticas del arte electronico  o del arte hacia el sistema. sintopia entre arte, ciencia y tecnolog\u00eda"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Claudia Giannetti Noelle <\/strong><\/h2>\n<p>El tema central de la tesis es la estetica del arte electronico, analizada desde cuatro angulos: la historica, a partir de una revisi\u00f3n de las teorias mas relevantes que se ocuparon de analizar el fenomeno de la relacion entre arte y tecnolog\u00eda (max bense, moles, franke, etc), el analisis del arte electronico como sistema y proceso intercomunicativo, el arte interactivo como posibilidad de nuevo discurso estetico, y el desarrollo de teoria de la endoestetica como posible metodo de abordar y analizar los cambios de paradigmas esteticos especificos de las manifestaciones tecnoartisticas interactivas. Todos estos aspectos siempre toman en consideracion el estrecho vinculo entre arte, ciencia y tecnolog\u00eda. Asi, la tesis se divide en 5 capitulos principales:  1.Cohesiones y expansiones de los dominios del arte, la ciencia y la tecnica,  ii.Estetica y comunicaci\u00f3n ciberneticas, iii. Estetica y contexto comunicativo;iv arte interactivo; v. Endoestetica. La tesis ultima con las conclusiones. en la bibliografia se cita exclusivamente los libros y articulos consultados y relevantes. La tesis se completa con tres anexos: el glosario \u00abalgunas definiciones terminologicas\u00bb, el apendice ilustrativo de \u00abim\u00e1genes y graficos\u00bb mencionados en el texto, y la \u00abselecci\u00f3n de articulos, documentos y textos\u00bb acerca de los principales temas tratados.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Esteticas del arte electronico  o del arte hacia el sistema. sintopia entre arte, ciencia y tecnolog\u00eda<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Esteticas del arte electronico  o del arte hacia el sistema. sintopia entre arte, ciencia y tecnolog\u00eda <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Claudia Giannetti Noelle <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/06\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lourdes Cirlot Valenzuela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pere Salabert sole <\/li>\n<li>Antonio Mercader capella (vocal)<\/li>\n<li>xavier Berenguer villaseca (vocal)<\/li>\n<li>Jos\u00e9 Manuel P\u00e9rez tornero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Claudia Giannetti Noelle El tema central de la tesis es la estetica del arte electronico, analizada desde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,104,1014,222],"tags":[37556,37554,4913,37555,34180,37557],"class_list":["post-11428","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-historia","category-historia-del-arte","category-historias-especializadas","tag-antonio-mercader-capella","tag-claudia-giannetti-noelle","tag-jose-manuel-perez-tornero","tag-lourdes-cirlot-valenzuela","tag-pere-salabert-sole","tag-xavier-berenguer-villaseca"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=11428"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11428\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=11428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=11428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=11428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}