{"id":114283,"date":"2018-03-11T10:42:15","date_gmt":"2018-03-11T10:42:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/fotografia-y-arquitectura-en-espana-1839-1886\/"},"modified":"2018-03-11T10:42:15","modified_gmt":"2018-03-11T10:42:15","slug":"fotografia-y-arquitectura-en-espana-1839-1886","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historias-especializadas\/fotografia-y-arquitectura-en-espana-1839-1886\/","title":{"rendered":"Fotografia y arquitectura en espa\u00f1a (1839-1886)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Helena Perez Gallardo <\/strong><\/h2>\n<p>Nombre y apellidoshelena p\u00e9rez gallardodni 07501095jt\u00edtulo de la tesisfotograf\u00eda y arquitectura en espa\u00f1a, 1839 1886res\u00famenel estudio de la fotograf\u00eda y su relaci\u00f3n con la arquitectura ha sido contemplado enla bibliograf\u00eda existente desde muy amplias formas, de las puramente t\u00e9cnicas a losrecorridos filol\u00f3gicos, pasando por los biogr\u00e1ficos, siendo pocos los que atraviesanlas l\u00edneas del puro an\u00e1lisis tecnol\u00f3gico para estudiar las consecuencias del uso de unat\u00e9cnica u otra en los aspectos formales o los que, adem\u00e1s de realizar un detalladoinventario de im\u00e1genes, las vinculan al momento cultural en el que fueron creadas.Tras el an\u00e1lisis de todas ellas y ante la inexistencia, adem\u00e1s, de cualquier estudiopormenorizado previo, y para el caso espa\u00f1ol, nos planteamos realizar la tesisdoctoral fotograf\u00eda y arquitectura en espa\u00f1a 1839 1886, que analiza y expone lasrelaciones entre ambas disciplinas desde la fecha oficial de la creaci\u00f3n de lafotograf\u00eda hasta el fallecimiento del fot\u00f3grafo de origen franc\u00e9s, jean laurent, porser la figura que a trav\u00e9s de su firma comercial, ejemplific\u00f3 de forma excepcionaltodas las posibles v\u00edas de desarrollo que la fotograf\u00eda de arquitectura alcanzar\u00eda en elsiglo xix. En un nuestra metodolog\u00eda hemos explicado las cuestiones t\u00e9cnicas y suresponsabilidad sobre las formas producidas. Tambi\u00e9n responde a las razones quemotivaron la elecci\u00f3n de los edificios y monumentos a fotografiar, para concluir cualfue el destino principal de todas esas fotograf\u00edas. Es decir, esta tesis trata de darrespuesta al c\u00f3mo, cu\u00e1ndo, qui\u00e9n, porqu\u00e9 y para qu\u00e9 se produjo fotograf\u00eda dearquitectura en espa\u00f1a, porque s\u00f3lo respondiendo a estas preguntas puede llegarse arealizar un estudio lo m\u00e1s completo y panor\u00e1mico posible sobre este g\u00e9nero ennuestro pa\u00eds, dar las claves de su posterior desarrollo y establecer sus puntos deconexi\u00f3n con la historia del arte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Fotografia y arquitectura en espa\u00f1a (1839-1886)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Fotografia y arquitectura en espa\u00f1a (1839-1886) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Helena Perez Gallardo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/06\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Delf\u00edn Rodr\u00edguez Ruiz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Calvo serraller <\/li>\n<li>Juan Bordes caballero (vocal)<\/li>\n<li>victor Manuel Nieto alcaide (vocal)<\/li>\n<li>Antonio Bonet correa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Helena Perez Gallardo Nombre y apellidoshelena p\u00e9rez gallardodni 07501095jt\u00edtulo de la tesisfotograf\u00eda y arquitectura en espa\u00f1a, 1839 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,222],"tags":[7416,6807,5788,226594,16814,190093],"class_list":["post-114283","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-historias-especializadas","tag-antonio-bonet-correa","tag-delfin-rodriguez-ruiz","tag-francisco-calvo-serraller","tag-helena-perez-gallardo","tag-juan-bordes-caballero","tag-victor-manuel-nieto-alcaide"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=114283"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114283\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=114283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=114283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=114283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}