{"id":114338,"date":"2018-03-11T10:42:15","date_gmt":"2018-03-11T10:42:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/jolas-sakona-txapelketaren-prozesu-errituala-eta-bertsolariaren-arrazoi-sortzailea-xxi-mendeko-agoran\/"},"modified":"2018-03-11T10:42:15","modified_gmt":"2018-03-11T10:42:15","slug":"jolas-sakona-txapelketaren-prozesu-errituala-eta-bertsolariaren-arrazoi-sortzailea-xxi-mendeko-agoran","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/antropologia-cultural\/jolas-sakona-txapelketaren-prozesu-errituala-eta-bertsolariaren-arrazoi-sortzailea-xxi-mendeko-agoran\/","title":{"rendered":"Jolas sakona: txapelketaren prozesu errituala eta bertsolariaren arrazoi sortzailea xxi mendeko agoran"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jexux Larra\u00f1aga Arriola <\/strong><\/h2>\n<p>Prozesu erritualean, iraganeko eta gaurko txapelketaren artean dagoen \u00c2\u00bfzentzu-lur\u00c2\u00bf baten arrasto identitarioa utzi duen kultur gertaeraren jarraidura ardatza mugatu dugu. Irudikari kulturalaren hedapen metaforikoa, talde kulturalaren lorratzetan arakatu dugu, utzitako aztarna semiotikoa bailitzan. Objektu semiotikoaren berezkotasunak kolektiboaren nortasun moldeaz baldin badihardu, izaera baten lorratz pausoetan mundukera baten islapena aurkitu dugu, objektuaren azal barrutiak bere baitan jariatzen du barnebiltzen duen mundua. Prozesu erritualaren eremu irudikatzailea, eremu diskurtsiboa, eremu ikonikoa, eremu estetikoa eta eremu emozionala, mundu subjektiboaren jolas geruza inguratzailean arakatu dugu, hots: mundukera bat jariatu duen komunikazio errituala, jolas sakonaren eremu sinbolikoan \u00c2\u00bfesanguratzen\u00c2\u00bf da. Bertotik, \u00c2\u00bfunibertso sinboliko\u00c2\u00bf oso bat mugatu dugu, munduera bat \u00c2\u00bfizendatzen\u00c2\u00bf lan egiten duen dispositibo sinbolikoa. Euskal kulturaren gune identitario, elkarreraginezko eta historikoan, txapelketaren prozesu errituala, narratiba antropologikoa berrelikatzen duen sinbolo giltzarria dela frogatu dugu. Finean, agoraren prozesu estetikoak, interpretazio kulturalaren lurra azaleratu eta \u00c2\u00bfikonizatu\u00c2\u00bf egiten du, txapelketaren gertaera, euskal kulturaren sinbolo giltzarria da.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Jolas sakona: txapelketaren prozesu errituala eta bertsolariaren arrazoi sortzailea xxi mendeko agoran<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Jolas sakona: txapelketaren prozesu errituala eta bertsolariaren arrazoi sortzailea xxi mendeko agoran <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jexux Larra\u00f1aga Arriola <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/06\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joseba Zulaika<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jokin Apalategi begiristain <\/li>\n<li>luxio Ugarte elorza (vocal)<\/li>\n<li>pedro Mar\u00eda Fernandez de larrinoa pablos (vocal)<\/li>\n<li>jon Sarasua  maritxalar (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jexux Larra\u00f1aga Arriola Prozesu erritualean, iraganeko eta gaurko txapelketaren artean dagoen \u00c2\u00bfzentzu-lur\u00c2\u00bf baten arrasto identitarioa utzi duen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[983,12909],"tags":[226681,12935,49867,154567,124736,143408],"class_list":["post-114338","post","type-post","status-publish","format-standard","hentry","category-antropologia-cultural","category-pais-vasco-euskal-herriko-unibertsitatea","tag-jexux-larranaga-arriola","tag-jokin-apalategi-begiristain","tag-jon-sarasua-maritxalar","tag-joseba-zulaika","tag-luxio-ugarte-elorza","tag-pedro-maria-fernandez-de-larrinoa-pablos"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=114338"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114338\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=114338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=114338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=114338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}