{"id":114446,"date":"2013-05-07T00:00:00","date_gmt":"2013-05-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/praktika-kontzeptual-eta-performatiboak-free-improvisation-eszenan\/"},"modified":"2013-05-07T00:00:00","modified_gmt":"2013-05-07T00:00:00","slug":"praktika-kontzeptual-eta-performatiboak-free-improvisation-eszenan","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pintura\/praktika-kontzeptual-eta-performatiboak-free-improvisation-eszenan\/","title":{"rendered":"Praktika kontzeptual eta performatiboak free improvisation eszenan"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jon Mantzisidor Uria <\/strong><\/h2>\n<p>Free improvisation  60. Hamarkadatik aurrera garatu den musika mugimendu bat da, batez ere ingalaterra, japonia eta estatu batuetan. Gaurregun mundu guztira zabaldua. Mugimenduaren helburua askatasunez sortzea da, gehienetan sormen kolektiboa izan ohi dena, eta inongo kode edo arauri jarraitu gabe. Jatorritik ez-idiomatiko izaera bat aldarrikatu izan dute musikariek beste inprobisazio mugimenduekin konparatuz (adibidez flamenkoa edo jazza). Ikerketan, gure ustez kontzertu paradigmatiko batetatik abiatuz mugimenduaren ezaugarri estilistikoak eta garai historiko ezberdinak aztertzen dira. Ala nola, e.A.I edo europear inprobisazio aske tradizionala, onkyo mugimendua, berlin reductionism, e.A.I eta azken inprobisazio \u00c2\u00bfkontzeptualak\u00c2\u00bf. Hauek beste arte adirezpide batzuekinduten harremana ere aztertu da, ikusizko arteak eta performancetik datozenak. Ezaugarriei dagokienez honako puntuak aztertu dira: entzutea, isiltasuna, denbora, aretoa eta ikus entzulea. Tesiaren muina jarrera kontzeptualagoak eta inprobisatzeko ohiko eraren artean sortzen den talkan zentratzen da eta horrez gain zenbait artistaren helburu didaktikoak zalantzan jartzen dira.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Praktika kontzeptual eta performatiboak free improvisation eszenan<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Praktika kontzeptual eta performatiboak free improvisation eszenan <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jon Mantzisidor Uria <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/07\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Melendez Arranz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Molina alarc\u00f3n <\/li>\n<li>iciar Rozas elizalde (vocal)<\/li>\n<li>josep Cerda ferre (vocal)<\/li>\n<li>isis Saz tejero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jon Mantzisidor Uria Free improvisation 60. Hamarkadatik aurrera garatu den musika mugimendu bat da, batez ere ingalaterra, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[12909,3806],"tags":[213881,199208,120029,226855,20413,31322],"class_list":["post-114446","post","type-post","status-publish","format-standard","hentry","category-pais-vasco-euskal-herriko-unibertsitatea","category-pintura","tag-iciar-rozas-elizalde","tag-isis-saz-tejero","tag-jesus-melendez-arranz","tag-jon-mantzisidor-uria","tag-josep-cerda-ferre","tag-miguel-molina-alarcon"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=114446"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114446\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=114446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=114446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=114446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}