{"id":114523,"date":"2018-03-11T10:42:36","date_gmt":"2018-03-11T10:42:36","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/fricciones-artificios-dramaticos-en-el-cine-contemporaneo\/"},"modified":"2018-03-11T10:42:36","modified_gmt":"2018-03-11T10:42:36","slug":"fricciones-artificios-dramaticos-en-el-cine-contemporaneo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/fricciones-artificios-dramaticos-en-el-cine-contemporaneo\/","title":{"rendered":"Fricciones. artificios dram\u00e1ticos en el cine contempor\u00e1neo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jorge Nu\u00f1ez De La Visitacion <\/strong><\/h2>\n<p>Dentro de la l\u00ednea oficial de investigaci\u00f3n investigaci\u00f3n como creaci\u00f3n, creaci\u00f3n como investigaci\u00f3n, la tesis comienza desde el n\u00facleo de lo que los artificios dram\u00e1ticos y su relaci\u00f3n con los conceptos de forma, fondo, drama y cine. Contin\u00faa con el tipo de posicionamiento tomado para dar pie a una metodolog\u00eda experimental tratada desde el texto escrito hasta el propio  trabajo audiovisual: \u00c2\u00bfmarr\u00f3n de momia\u00c2\u00bf. El siguiente gran aparatado es una clasificaci\u00f3n que consta de 8 puntos; c\u00f3mo act\u00faan los artificios dr\u00e1maticos, lo simulado como referente, escapes de la ficci\u00f3n, simulaci\u00f3n con tropezones, soporte-contexto, el v\u00ednculo tecnol\u00f3gico, la narraci\u00f3n suspendida y el cine de pedro costa.Se cierra el trabajo te\u00f3rico con una entrevistas que ha realizado a diferentes cineastas (julio hern\u00e1ndez cord\u00f3n, andr\u00e9s duque, los hijos y pedro aguilera) y a la core\u00f3grafa idoia zabaleta. Se tratan temas, situaciones y puntos aludidos en toda la tesis. El pen\u00faltimo apartado es un lugar de encuentro entre los objetivos y las conclusiones posibles: las limitaciones y la imposibilidad son herramientas esenciales de los audiovisual para proponer experiencias de lo real en el cine contempor\u00e1neo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Fricciones. artificios dram\u00e1ticos en el cine contempor\u00e1neo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Fricciones. artificios dram\u00e1ticos en el cine contempor\u00e1neo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jorge Nu\u00f1ez De La Visitacion <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 16\/07\/2013<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rita Sixto Cesteros<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Molina alarc\u00f3n <\/li>\n<li>josep Mar\u00eda Catal? dom\u00e9nech (vocal)<\/li>\n<li>joaquim Cantalozella plnas (vocal)<\/li>\n<li>Juan  Luis Moraza p\u00e9rez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jorge Nu\u00f1ez De La Visitacion Dentro de la l\u00ednea oficial de investigaci\u00f3n investigaci\u00f3n como creaci\u00f3n, creaci\u00f3n como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5547,12909],"tags":[122596,226973,43200,148908,31322,224117],"class_list":["post-114523","post","type-post","status-publish","format-standard","hentry","category-cinematografia","category-pais-vasco-euskal-herriko-unibertsitatea","tag-joaquim-cantalozella-plnas","tag-jorge-nunez-de-la-visitacion","tag-josep-maria-catal-domenech","tag-juan-luis-moraza-perez","tag-miguel-molina-alarcon","tag-rita-sixto-cesteros"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=114523"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/114523\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=114523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=114523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=114523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}