{"id":115128,"date":"2018-03-11T10:43:31","date_gmt":"2018-03-11T10:43:31","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-tema-de-circe-en-la-tradicion-literaria-de-la-epica-griega-a-la-literatura-espanola\/"},"modified":"2018-03-11T10:43:31","modified_gmt":"2018-03-11T10:43:31","slug":"el-tema-de-circe-en-la-tradicion-literaria-de-la-epica-griega-a-la-literatura-espanola","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-de-la-literatura\/el-tema-de-circe-en-la-tradicion-literaria-de-la-epica-griega-a-la-literatura-espanola\/","title":{"rendered":"El tema de circe en la tradici\u00f3n literaria: de la \u00e9pica griega a la literatura espa\u00f1ola."},"content":{"rendered":"

Tesis doctoral de Aurora Galindo Esparza <\/strong><\/h2>\n

Aurora galindo esparza universidad de murcia 2013 el tema de circe en la tradici\u00f3n literaria: de la \u00e9pica griega a la literatura espa\u00f1ola esta tesis doctoral se ha desarrollado en el marco del proyecto general homero: texto y tradici\u00f3n, en el grupo de investigaci\u00f3n de literatura griega del departamento de filolog\u00eda cl\u00e1sica de la universidad de murcia, y lo ha dirigido el catedr\u00e1tico d. Mariano valverde s\u00e1nchez. objetivos el encuentro con circe es una de las escalas del viaje de odiseo: esta figura se presenta como una maga hostil con los viajeros, pero termina ayud\u00e1ndolos a seguir su viaje. Los poemas de homero tuvieron una enorme repercusi\u00f3n en la creaci\u00f3n literaria europea, y dentro de la abundante bibliograf\u00eda hom\u00e9rica, se han publicado algunos estudios sobre el episodio de circe, pero muy pocos aportan una visi\u00f3n completa de od. X, y ninguno se centra en la literatura espa\u00f1ola. nos proponemos hacer una incursi\u00f3n amplia y sistem\u00e1tica en el recorrido literario del episodio desde homero hasta la literatura espa\u00f1ola actual. Esta trayectoria abarca una gran cantidad y diversidad de tratamientos, y es necesario profundizar en la visi\u00f3n del tema de cada recreaci\u00f3n en relaci\u00f3n con su contexto. uno de los objetivos centrales es explicar qu\u00e9 caracter\u00edsticas del episodio han suscitado el inter\u00e9s de autores de \u00e9pocas, ideolog\u00edas y procedencias tan dispares. la figura de circe presenta diversas facetas -mujer, hechicera, amante-, y se\u00f1alamos cu\u00e1l predomina en los tratamientos, explicando sus motivos y consecuencias. metodolog\u00eda el estudio se enfoca desde el \u00e1mbito metodol\u00f3gico de la filolog\u00eda y de la literatura comparada. Se hace un an\u00e1lisis basado en la totalidad de textos, profundizando en los rasgos definitorios de cada \u00e9poca y autor y extrayendo conclusiones. ofrecemos traducciones propias de los textos griegos y latinos. la investigaci\u00f3n de las fuentes del episodio se desarrolla en las siguientes fases: a.\tLa literatura griega. Homero, apolunio, plutarco y otros. b.\tLa literatura latina. Virgilio, ovidio y referencias secundarias. c.\tLa literatura medieval y renacentista. Destacan boecio, dante y los compendios mitogr\u00e1ficos d.\tLa literatura del siglo de oro. Los tratamientos principales son los de la circe de lope de vega y el mayor encanto, amor y los encantos de la culpa de calder\u00f3n. e.\tLa literatura contempor\u00e1nea. f.\tAn\u00e1lisis comparativo de la totalidad de textos estudiados y conclusiones. resultados nuestro estudio pone de relieve la importante fortuna que ha tenido durante siglos el episodio de circe, fortuna determinada por su origen hom\u00e9rico pero tambi\u00e9n por las sugestivas caracter\u00edsticas de la figura protagonista. la aventura hom\u00e9rica inspira nuevas creaciones literarias y a la vez es objeto de especulaciones filos\u00f3ficas desde distintas \u00f3pticas, oscilando siempre entre la poes\u00eda y la filosof\u00eda. En cada aportaci\u00f3n se incorporan elementos diferentes que dan como resultado una nueva creaci\u00f3n en cada ocasi\u00f3n. al margen de la \u00e9poca, el autor y la corriente literaria, un conjunto de elementos se mantienen en primer plano -el amor, la magia, el misterio, las metamorfosis-, pero \u00e9stos recibiendo tratamientos e interpretaciones muy diferentes. con la comparaci\u00f3n de los diferentes enfoques se aprecian los cambios de mentalidad de cada contexto hist\u00f3rico-social respecto a diversos temas ligados al episodio, como son lo sobrenatural, la religi\u00f3n, el perfil del h\u00e9roe o la consideraci\u00f3n de la mujer. aurora galindo esparza university of murcia 2013 the circe theme in the literary tradition: from greek epic to spanish literature this thesis has been developed in the frame of the general project homero: texto y tradici\u00f3n, by the investigative group of greek literature of the classic philology departament of the university of murcia, and it has been directed by the professor d. Mariano valverde s\u00e1nchez. objectives the meeting with circe is one of the stages of odysseus' travel: this character is presented as a magician hostile to the sailors, but she finally helps them to continue their voyage. Homer's poems had a great influence in european literary creation. In the plentiful homeric bibliography, some studies about the circe episode have been published, but few of them bring a complete vision of od. X, and none of them handles spanish literature. we intend to do a wide and systematic research in the paht of the circe episode from homer to present spanish literature. This course covers a large number and variety of treatments, and is necessary to delve into the theme's vision of each recreation in relation to its context. one of the main purposes is to explain which features of the episode aroused the interest of author belonging to so varied times, ideologies and backgrounds. circe's character offers different facets -woman, sorcerer, lover-, and we point out which one dominates in the treatments, explaining its motives and consequences. methodology the study is approached from the methodological field of philology and comparative literature. We do an analysis based on all the texts, delving into the distinctive features of each era and author and drawing conclusions. we offer our own translations of greek and latin texts. the investigation of the sources of the episode takes place according to the following phases: a.\tGreek literature. Homer, apollonius, plutarch and others. b.\tLatin literature. Virgil, ovid and secondary references. c.\tThe medieval and renaissance literature. Standing out boethius, dante and mythographical compendia. d.\tThe golden age literature major treatments are lope de vega's la circe and calderon's el mayor encanto, amor and los encantos de la culpa. e.\tContemporary literature. f.\tComparative analysis of all the studied texts and conclusions. results our survey highlights that the circe episode has had a significant fortune for centuries. This fortune is determined by the homeric origin, but also by heroine's attractive features. the homeric adventure inspires new literary creations and also is the subject of philosophical speculations from different angles, always oscillating between poetry and philosophy. Each input incorporates different elements that result in a new creation each time. regardless of the time, the author and the literary movement, a set of items are kept in the foreground -love, magic, mystery, metamorphosis-, although they receive very different treatments and interpretations. with the comparison of different approaches we can appreciate the mindset changes in socio-historical context regarding various issues related to the episode, such as the supernatural, the religion, the hero's profile or the women's regard.<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abEl tema de circe en la tradici\u00f3n literaria: de la \u00e9pica griega a la literatura espa\u00f1ola.<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 El tema de circe en la tradici\u00f3n literaria: de la \u00e9pica griega a la literatura espa\u00f1ola. <\/li>\n
  • Autor:<\/strong>\u00a0 Aurora Galindo Esparza <\/li>\n
  • Universidad:<\/strong>\u00a0 Murcia<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 17\/01\/2014<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Mar\u00eda no Valverde Sanchez<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: jose Garcia lopez <\/li>\n
        • Carlos Garcia gual (vocal)<\/li>\n
        • vicente Cristobal lopez (vocal)<\/li>\n
        • Jos\u00e9 Antonio Fern\u00e1ndez delgado (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Aurora Galindo Esparza Aurora galindo esparza universidad de murcia 2013 el tema de circe en la tradici\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[2142,713,6554,8235,31506],"tags":[227904,428,100550,3629,194654,5314],"class_list":["post-115128","post","type-post","status-publish","format-standard","hentry","category-filologia","category-historia-de-la-literatura","category-mitos","category-murcia","category-tradicion","tag-aurora-galindo-esparza","tag-carlos-garcia-gual","tag-jose-antonio-fernandez-delgado","tag-jose-garcia-lopez","tag-maria-no-valverde-sanchez","tag-vicente-cristobal-lopez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/115128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=115128"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/115128\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=115128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=115128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=115128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}