{"id":11532,"date":"2018-03-09T08:56:56","date_gmt":"2018-03-09T08:56:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-snovelas-a-marcia-leonarda-de-lope-de-vega\/"},"modified":"2018-03-09T08:56:56","modified_gmt":"2018-03-09T08:56:56","slug":"la-snovelas-a-marcia-leonarda-de-lope-de-vega","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-snovelas-a-marcia-leonarda-de-lope-de-vega\/","title":{"rendered":"La snovelas a marcia leonarda de lope de vega"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mu\u00f1oz Medrano M. C\u00e1ndida <\/strong><\/h2>\n<p>Este trabajo se estructura en dos partes: un estudio general de la novela del siglo xvii y el estudio de lope de vega como tema principal.  en la parimera parte se realiza la trayectoria de esta forma de novel\u00edstica, tal y como se desarroll\u00f3 en la realidad de su tiempo, sirviendo de marco a la segunda parte o estudio de los cuatro relatos breves que componen las novelas marcia leonarda.  \u00e9stas fueron concebidas por su aturo convistas a la lectura de marta de nevares y, a trav\u00e9s de ellas, un grupo de lectores mucho m\u00e1s general.  en la segunda parte se abordan cuestiones como: la adscripci\u00f3n gen\u00e9rica de los relatos, estructura, la voz del narrador, temas, estudio de los personajes, la finalidad y prop\u00f3sito del autor, el significado de marta de nevares, las fuentes, etc.  se tratan, en suma, todos los aspectos que hacen de las novelas a marcia leonarda a un cap\u00edtulo de gran idealismo art\u00edstico en el contexto de la est\u00e9tica expresiva del barroco.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La snovelas a marcia leonarda de lope de vega<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La snovelas a marcia leonarda de lope de vega <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mu\u00f1oz Medrano M. C\u00e1ndida <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/06\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Crist\u00f3bal Cuevas Garc\u00eda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Abad nebot <\/li>\n<li>Francisco Ruiz noguera (vocal)<\/li>\n<li>guillermo Seres guillen (vocal)<\/li>\n<li> Cantos casenave M\u00aa enriqueta (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mu\u00f1oz Medrano M. C\u00e1ndida Este trabajo se estructura en dos partes: un estudio general de la novela [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,149,7834,628],"tags":[37898,8127,6374,36783,37897,37896],"class_list":["post-11532","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-malaga","category-teoria-analisis-y-critica-literarios","tag-cantos-casenave-ma-enriqueta","tag-cristobal-cuevas-garcia","tag-francisco-abad-nebot","tag-francisco-ruiz-noguera","tag-guillermo-seres-guillen","tag-munoz-medrano-m-candida"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=11532"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11532\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=11532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=11532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=11532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}