{"id":115512,"date":"2014-09-04T00:00:00","date_gmt":"2014-09-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/pintura-como-proceso-de-individuacion-caracterizacion-y-ensenanza\/"},"modified":"2014-09-04T00:00:00","modified_gmt":"2014-09-04T00:00:00","slug":"pintura-como-proceso-de-individuacion-caracterizacion-y-ensenanza","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pintura\/pintura-como-proceso-de-individuacion-caracterizacion-y-ensenanza\/","title":{"rendered":"Pintura como proceso de individuaci\u00f3n. caracterizaci\u00f3n y ense\u00f1anza"},"content":{"rendered":"<h2>Tesis doctoral de <strong> I\u00f1aki Imaz Urruticoechea <\/strong><\/h2>\n<p>La tesis, dividida en dos partes, consiste primeramente en la descripci\u00f3n y conceptualizaci\u00f3n de la pr\u00e1ctica pict\u00f3rica a partir de la experiencia de su autor. En un segundo momento propone una serie de posibilidades metodol\u00f3gicas en torno a la ense\u00f1anza de la pintura seg\u00fan lo definido en la primera parte. La idea fundamental es la de la pintura como proceso de individuaci\u00f3n, seg\u00fan la cual, la practica pict\u00f3rica se caracterizar\u00eda por una recursividad o circularidad estructural. Dicha peculiaridad implicar\u00eda que adem\u00e1s de ser el \u00c2\u00bfhecho\u00c2\u00bf pict\u00f3rico producto del \u00c2\u00bfacto\u00c2\u00bf pict\u00f3rico, tambi\u00e9n el \u00c2\u00bfacto\u00c2\u00bf lo ser\u00eda del \u00c2\u00bfhecho\u00c2\u00bf. Ello supondr\u00eda un proceso de diferenciaci\u00f3n y singularizaci\u00f3n tanto para la materia en su devenir obra como para el agente en su devenir autor. Ambos  devenires ser\u00edan las dos caras de la misma realidad pr\u00e1ctica, que es la que en la tesis se define como proceso de individuaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Pintura como proceso de individuaci\u00f3n. caracterizaci\u00f3n y ense\u00f1anza<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Pintura como proceso de individuaci\u00f3n. caracterizaci\u00f3n y ense\u00f1anza <\/li>\n<li><strong>Autor:<\/strong>\u00a0 I\u00f1aki Imaz Urruticoechea <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/04\/2014<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Melendez Arranz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pedro Osakar <\/li>\n<li>Jos\u00e9 Chavete rodriguez (vocal)<\/li>\n<li>jon Barredo cahue (vocal)<\/li>\n<li>Juan  Luis Moraza p\u00e9rez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de I\u00f1aki Imaz Urruticoechea La tesis, dividida en dos partes, consiste primeramente en la descripci\u00f3n y conceptualizaci\u00f3n de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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