{"id":115551,"date":"2018-03-11T10:44:09","date_gmt":"2018-03-11T10:44:09","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/lo-nacional-en-la-obra-para-voz-y-piano-de-gisela-hernandez-y-harold-gramatges-analisis-compositivo\/"},"modified":"2018-03-11T10:44:09","modified_gmt":"2018-03-11T10:44:09","slug":"lo-nacional-en-la-obra-para-voz-y-piano-de-gisela-hernandez-y-harold-gramatges-analisis-compositivo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/biografias\/lo-nacional-en-la-obra-para-voz-y-piano-de-gisela-hernandez-y-harold-gramatges-analisis-compositivo\/","title":{"rendered":"Lo nacional en la obra para voz y piano de gisela hern\u00e1ndez y harold gramatges. analisis compositivo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eduardo Morales Caso <\/strong><\/h2>\n<p>Esta tesis doctoral encierra como objetivo fundamental destacar la presencia de rasgos constitutivos de la m\u00fasica cubana en la producci\u00f3n compositiva para voz y piano de gisela hern\u00e1ndez gonzalo (c\u00e1rdenas, 15 de septiembre de 1912 \u00c2\u00bf la habana, 23 de agosto de 1971) y harold gramatges (santiago de cuba, 26 de septiembre de 1918 \u00c2\u00bf la habana, 16 de diciembre de 2008). Siendo esta premisa el hilo conductor de la investigaci\u00f3n transito por el v\u00ednculo entre la l\u00edrica y la m\u00fasica como nexo concluyente en los procedimientos t\u00e9cnico-compositivos que asumieron ambos compositores en las obras seleccionadas. Partiendo de un conciso panorama sobre los antecedentes y aspectos de inter\u00e9s sobre la cultura musical de la isla acudo al an\u00e1lisis musicol\u00f3gico como met\u00f3dica fundamental para delinear uno y otro trayecto en el ininterrumpido legado hist\u00f3rico-musical de cuba. Diversas direcciones y sistemas anal\u00edticos son las herramientas para describir el alcance, proyecci\u00f3n y peculiaridades propuestas en cada obra. El an\u00e1lisis musical sistem\u00e1tico en conjunci\u00f3n con el literario unifican los criterios para acercarnos al pensamiento est\u00e9tico-compositivo de dos de los ejes direccionales de la m\u00fasica profesional en cuba: gisela hern\u00e1ndez y harold gramatges.Convergentes en un contexto hist\u00f3rico-social com\u00fan sus producciones compositivas confluyeron en un espacio de libertad en la que ambos lenguajes proyectaron un amplio margen de selecciones marcados por el ingenio creativo y la identidad nacional.Palabras clave: an\u00e1lisis musicol\u00f3gico; hern\u00e1ndez; gramatges; voz y piano; identidad nacional.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Lo nacional en la obra para voz y piano de gisela hern\u00e1ndez y harold gramatges. analisis compositivo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Lo nacional en la obra para voz y piano de gisela hern\u00e1ndez y harold gramatges. analisis compositivo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eduardo Morales Caso <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/04\/2014<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Victoria Eli Rodr\u00edguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda Nagore ferrer <\/li>\n<li>carmen cecilia Pi\u00f1ero gil (vocal)<\/li>\n<li>ileana P\u00e9rez vel\u00e1zquez (vocal)<\/li>\n<li>Carlos Villar taboada (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eduardo Morales Caso Esta tesis doctoral encierra como objetivo fundamental destacar la presencia de rasgos constitutivos de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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