{"id":115719,"date":"2018-03-11T10:44:21","date_gmt":"2018-03-11T10:44:21","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-estafa-en-la-obra-de-arte\/"},"modified":"2018-03-11T10:44:21","modified_gmt":"2018-03-11T10:44:21","slug":"la-estafa-en-la-obra-de-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/derecho-penal\/la-estafa-en-la-obra-de-arte\/","title":{"rendered":"La estafa en la obra de arte."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Angeles Casabo Orti <\/strong><\/h2>\n<p>El prop\u00f3sito de la presente tesis es el an\u00e1lisis y estudio jur\u00eddico penal en torno a la estafa mediante obras de arte falsas. El objeto de la investigaci\u00f3n, pues, queda circunscrito a la figura b\u00e1sica del delito de estafa y a los preceptos que la complementan recogidos en los art\u00edculos 248.1, 249 y 623,4 del c\u00f3digo penal.  el n\u00facleo de la tesis est\u00e1 formado por tres cap\u00edtulos, en un primero, se realiza un estudio terminol\u00f3gico, necesario para definir un marco introductorio donde se acota el tema: el mercado del arte y el concepto de obra de arte. Su determinaci\u00f3n terminol\u00f3gica en este estudio no es meramente instrumental, sino que constituye el eje vertebrador y de enorme y necesario inter\u00e9s, de ah\u00ed la extensi\u00f3n de este primer cap\u00edtulo.  a continuaci\u00f3n, un segundo cap\u00edtulo se inicia con un breve an\u00e1lisis de la cuesti\u00f3n en el derecho comparado, seguido de una nuestra propuesta de un modelo explicativo s\u00f3lido y coherente, que pueda dar respuesta a los problemas m\u00e1s importantes que determinan en \u00faltima instancia el fin perseguido en la presente investigaci\u00f3n. Pese a las referencias espec\u00edficas al ordenamiento jur\u00eddico espa\u00f1ol, la mayor\u00eda de las afirmaciones aqu\u00ed sostenidas son extensibles a otros sistemas jur\u00eddicos, presupuesto necesario del que parten las premisas b\u00e1sicas del cap\u00edtulo iii. este tercer escal\u00f3n se dedica al estudio del bien jur\u00eddico protegido, en el cual  se pretende desvelar una cuesti\u00f3n t\u00e9cnica fundamental, cual es aquella que hace referencia a la concreta determinaci\u00f3n del inter\u00e9s o valor tutelado por la norma penal; pero tambi\u00e9n se busca un criterio hermen\u00e9utico s\u00f3lido que determine su naturaleza jur\u00eddica, en relaci\u00f3n con el enga\u00f1o y los sujetos intervinientes. Respecto a los sujetos intervinientes, por su repercusi\u00f3n en el mercado, se analiza con profundidad las casas de subastas, con algunos ejemplos muy ejemplificativos. Esto nos ha llevado a estudiar fen\u00f3menos fronterizos de responsabilidad con el derecho privado. por su incidencia en el mercado, tambi\u00e9n se tratan los negocios jur\u00eddicos criminalizados. Analizamos a la v\u00edctima de la estafa desde una perspectiva victimol\u00f3gica, observando las especiales caracter\u00edsticas de este tipo de comprador. Adem\u00e1s, se exponen unas consideraciones a prop\u00f3sito de un posible car\u00e1cter pluriofensivo de los delitos de estafa con obras de arte falsas. Finalmente, se aplica la f\u00f3rmula jur\u00eddica a la cuesti\u00f3n examinada intentado que la respuesta sea coherente con el planteamiento te\u00f3rico inicial y tambi\u00e9n correcta desde el punto de vista pol\u00edtico-criminal.    the aim of this thesis is to analyze the spanish criminal law about the scam involving fake art works. Therefore, the object of the research is limited to the basic concept of the crime of fraud and precepts covered in articles 248.1, 249 and 623.4 of the spanish criminal code.  this thesis has been structured in three chapters. In the first stage, which is specified in chapter i, a terminological study is needed to obtain an introductory framework where the topic is established: the art market and the concept of artwork.  a second chapter begins with a brief discussion of this issue in comparative law. Then we try to create a solid and coherent explanatory model that can respond to the most important issues that ultimately determine the objective pursued in this investigation. This is carried out by an interpretation of the different typical terms always guided by the consideration of the object of the offense. Hence, although specific references are related to the spanish legal system, most of the these statements are extensible sustained to other legal systems, necessary assumption that the basic premises of chapter iii are based on. this third step is devoted to the study of legally protected assets. Here we aim to unveil a major technical issue, which is that which refers to the actual determination of interest or value protected by the criminal law, but also looking for a solid hermeneutical criterion determining their legal status in relation to deception and the parties involved. With respect to the parties involved, and their impact on the market, we analyze in depth the auction houses, with some very exemplary cases. This has led us to study border liability phenomena with private law. for its impact on the market, criminalized legal business is also addressed. We analyze the victim of the scam from a victim perspective, noting the special characteristics of this type of buyer. Some thoughts about possible multiple offenses of the crimes of fraud with fake art works are shown. Finally, the legal formula is applied to the issue considered attempting to offer a response which is consistent with the initial theoretical approach and also correct from the point of view criminal policy.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La estafa en la obra de arte.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La estafa en la obra de arte. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Angeles Casabo Orti <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/05\/2014<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jaime Miguel Peris Riera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Antonio Cobacho g\u00f3mez <\/li>\n<li>carmen Lamarca p\u00e9rez (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Suarez lopez (vocal)<\/li>\n<li>borja Mapelli caffarena (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Angeles Casabo Orti El prop\u00f3sito de la presente tesis es el an\u00e1lisis y estudio jur\u00eddico penal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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