{"id":116025,"date":"2014-07-07T00:00:00","date_gmt":"2014-07-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/cuerpos-que-aparecen-performance-y-feminismos-en-el-tardofranquismo\/"},"modified":"2014-07-07T00:00:00","modified_gmt":"2014-07-07T00:00:00","slug":"cuerpos-que-aparecen-performance-y-feminismos-en-el-tardofranquismo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/estetica-de-las-bellas-artes\/cuerpos-que-aparecen-performance-y-feminismos-en-el-tardofranquismo\/","title":{"rendered":"Cuerpos que aparecen: performance y feminismos en el tardofranquismo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Maite Garbayo Maeztu <\/strong><\/h2>\n<p>Esta investigaci\u00f3n es un ejercicio cr\u00edtico de recuperaci\u00f3n y relectura de algunas pr\u00e1cticas de arte de acci\u00f3n que tuvieron lugar durante los \u00faltimos a\u00f1os de la dictadura franquista. Se centra en el an\u00e1lisis de las implicaciones est\u00e9ticas y pol\u00edticas que tiene la presencia del cuerpo del\/la artista. El objetivo es citar, hacer aparecer estas acciones y estos cuerpos aqu\u00ed y ahora, para que puedan ser repensados desde distintos posicionamientos cr\u00edticos que contribuyan a cuestionar el relato de la historiograf\u00eda del arte contempor\u00e1neo en espa\u00f1a.       Este trabajo se ocupa de cuerpos que a trav\u00e9s de la performance dicen, que se sit\u00faan en el lugar de la enunciaci\u00f3n, en un momento y en un contexto en los que hab\u00eda muchas cosas que no se pod\u00edan decir. El cuerpo, por medio de la materialidad y la gestualidad, se hace lengua. Se da una apropiaci\u00f3n del lenguaje que pasa por torcerlo, por generar fisuras en su interior. Cambiar la palabra por el cuerpo conlleva aqu\u00ed una mediaci\u00f3n est\u00e9tica, una pregunta sobre los modos de decir y un cuestionamiento sobre las formas de representar.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Cuerpos que aparecen: performance y feminismos en el tardofranquismo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Cuerpos que aparecen: performance y feminismos en el tardofranquismo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Maite Garbayo Maeztu <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/07\/2014<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Navarrete Tudela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: inmaculada Jimenez huertas <\/li>\n<li>Mar\u00eda isabel Tejeda mart\u00edn (vocal)<\/li>\n<li>karen Cordero &#8212; (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Lillo perez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Maite Garbayo Maeztu Esta investigaci\u00f3n es un ejercicio cr\u00edtico de recuperaci\u00f3n y relectura de algunas pr\u00e1cticas de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4510,12909],"tags":[44577,13057,9440,229242,229241,189664],"class_list":["post-116025","post","type-post","status-publish","format-standard","hentry","category-estetica-de-las-bellas-artes","category-pais-vasco-euskal-herriko-unibertsitatea","tag-ana-navarrete-tudela","tag-inmaculada-jimenez-huertas","tag-jose-maria-lillo-perez","tag-karen-cordero","tag-maite-garbayo-maeztu","tag-maria-isabel-tejeda-martin"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/116025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=116025"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/116025\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=116025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=116025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=116025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}