{"id":116186,"date":"2018-03-11T10:45:07","date_gmt":"2018-03-11T10:45:07","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estetica-y-retorica-de-la-semana-santa-murciana-el-pera%c2%adodo-de-la-restauracion-como-fundamento-de-las-procesiones-contemporaneas\/"},"modified":"2018-03-11T10:45:07","modified_gmt":"2018-03-11T10:45:07","slug":"estetica-y-retorica-de-la-semana-santa-murciana-el-pera%c2%adodo-de-la-restauracion-como-fundamento-de-las-procesiones-contemporaneas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte\/estetica-y-retorica-de-la-semana-santa-murciana-el-pera%c2%adodo-de-la-restauracion-como-fundamento-de-las-procesiones-contemporaneas\/","title":{"rendered":"Est\u00e9tica y ret\u00f3rica de la semana santa murciana: el per\u00edodo de la restauraci\u00f3n como fundamento de las procesiones contempor\u00e1neas"},"content":{"rendered":"

Tesis doctoral de Jos\u00e9 Alberto Fernandez Sanchez <\/strong><\/h2>\n

La semana santa de murcia ha sufrido a lo largo de su historia una serie de transformaciones formales que la han ido configurando. De estos procesos destacan por su singularidad los acaecidos en la \u00e9poca rom\u00e1ntica por la profunda huella que imprimieron a los cortejos; comprendiendo desde el tercio final del xix hasta la conclusi\u00f3n de la "restauraci\u00f3n borb\u00f3nica" en 1931. En cuanto a la denominaci\u00f3n de rom\u00e1ntica no resulta cronol\u00f3gicamente coet\u00e1nea al movimiento cultural europeo conocido como "romanticismo"; sin embargo, sus componentes ideol\u00f3gicos y formales se encuentran estrechamente ligados a \u00e9l. La est\u00e9tica, analizada de forma pormenorizada, revela las concomitancias con las inquietudes culturales europeas suponiendo, en definitiva, una buena muestra de una forma de expresi\u00f3n cultural de primera magnitud. el romanticismo supuso una invitaci\u00f3n intelectual a la lectura del pasado de las naciones llevando pareja la resurrecci\u00f3n de los estilos art\u00edsticos de centurias anteriores. As\u00ed, se rescataron mitos y costumbres ancestrales que evocaran el car\u00e1cter diferenciador de una determinada cultura regional. En el caso de murcia, la semana santa constituy\u00f3 un acontecimiento propicio para la evocaci\u00f3n del pasado, llevando a la exaltaci\u00f3n de sus signos m\u00e1s representativos; el ejemplo m\u00e1s significativo ser\u00eda la rememoraci\u00f3n del barroco de tanta raigambre aqu\u00ed. Adem\u00e1s, las procesiones van a constituir un innegable escenario para la evocaci\u00f3n de la estructura social de la \u00e9poca; particularmente significativo es el papel de la burgues\u00eda liberal bajo cuyo auspicio se introducen buena parte de las innovaciones. Se conform\u00f3, de este modo, un cortejo exaltador de la idiosincrasia local cuyas virtudes estaban especialmente encarnadas en la figura de salzillo y la magnitud del barroco como forma de expresi\u00f3n de los cortejos. m\u00e1s all\u00e1 de realizar una rememoraci\u00f3n de las procesiones del pasado lo que se consigui\u00f3 fue afianzar un nuevo espect\u00e1culo callejero basado en la repetici\u00f3n del t\u00f3pico y en la perpetuaci\u00f3n de los valores barrocos. Fruto de ello, y lejos de una imitaci\u00f3n mim\u00e9tica que a buen seguro hubiera resultado menos grandilocuente, se tendi\u00f3 a la exageraci\u00f3n y hasta lo superfluo, enriqueciendo las superficies sin medida, como si el barroco no hubiera sido m\u00e1s que una acumulaci\u00f3n de figuras ornamentales. La procesi\u00f3n de los a\u00f1os finales del xix result\u00f3, as\u00ed, altamente comprometida con la historia y los s\u00edmbolos de la tierra dejando atr\u00e1s las objetivas y sinceras motivaciones de centurias precedentes. Buena prueba de ello constituye la evoluci\u00f3n del paso procesional que lejos de la sencillez del xviii se transforma en una tramoya itinerante de evidente lenguaje ornamental. no en vano, la semana santa en cada uno de los lugares de espa\u00f1a comenz\u00f3 a recoger sus se\u00f1as de identidad constituyendo espect\u00e1culos \u00fanicos ajenos a generalidades. Adem\u00e1s, entr\u00f3 en juego la creencia de que las procesiones eran, por encima de las de otras poblaciones, un admirable espect\u00e1culo art\u00edstico. Los medios se pusieron al servicio de una celebraci\u00f3n plenamente est\u00e9tica que deb\u00eda entrar por los sentidos teniendo como cenit argumental la imaginer\u00eda sagrada y, particularmente, la obra salzillesca. Con este centro gravitatorio los esfuerzos de las cofrad\u00edas se encaminaron a enriquecer las tallas, incorpor\u00e1ndoles ricos vestuarios, esbeltas peanas y acompa\u00f1\u00e1ndolas de "marchas procesionales". result\u00f3 un panorama complejo en el que dejaron huella los principales campos formales de las artes pl\u00e1sticas. As\u00ed, encontr\u00f3 un espacio propicio para el ejercicio de una renovada imaginer\u00eda, secundada con otros aspectos como la talla dorada de los "tronos", el bordado, la orfebrer\u00eda e, incluso, aspectos esc\u00e9nicos como la m\u00fasica, el ef\u00edmero o la presencia de figurantes historicistas. Todo ello es objeto de este trabajo en el que se incluye, adem\u00e1s, una observaci\u00f3n concienzuda del cambiante contexto hist\u00f3rico-social. throughout the history of the murcian easter, there have been a whole series of formal renovations and transformations, some more significant than others, which have given easter its shape. The change produced in the 18th century when the character of salzillo stamped his style on the penitential celebrations and the romantic period, is especially significant. As well as other relevant changes such us "la burla" and the incorporation of the baroque attire to butlers. This change in the romantic period is especially relevant due to the deep trace left in the cort\u00e9ge from the 19th century to the ending of the "restauraci\u00f3n borb\u00f3nica". The term "romantic", as it will be proved, is not contemporary to the european cultural movement known as "romanticism", however its ideological and formal components are closely bound to it. The aesthetics, when analysed, reveal the coexistence with the european cultural interests, which show a good sample of an expressive cultural way of great importance. romanticism meant an intellectual invitation to read the history and the past of the nations, together with the resurrection of artistic styles from the past. Thus, some ancestral myths and customs were rescued together with all those things which reminded the differential character of a specific regional culture. In the case of murcia, easter favoured the evocation of its memorable past, leading to the exaltation of its more representative signs. The most significant example would be the rememoration of the baroque style, which had a great interest in the capital of segura. Also, the parade would constitute an irrefutable scene for the evocation of the social structure of the period. The role of the local liberal bourgeoisie is especially significant, and supported the introduction of the majority of the innovations. Thus, a cort\u00e9ge was formed, and this cort\u00e9ge exalted the local idiosyncrasy, whose virtues were especially represented in the figure of salzillo, and the magnitude of baroque as the way of expression for the artistic manifestation. however, one of the achievements, apart from recalling the parades from the past, was the settlement of a new spectacle in the streets, which was based on the repetition of the topic and on the perpetuation of the baroque values. As a consequence, and far from being a mimetic imitation which would have been less grandiloquent, the trend adopted went towards the exaggeration and the superfluous, by enrichening the surfaces as if baroque was just an accumulation of ornamental figures. Thus, the new parades from the latter years of the 19th century became highly connected with the local history and with the typical symbols, which left the objective and sincere motivations of the previous century behind. Strong evidence of this is the evolution of the processional paso itself, which, far away from the simplicity of the 18th century, evolves to an itinerant piece of machinery with a clear ornamental language. not in vain, the easter celebration started to acquire its own identity symbols in each of the different spanish territories, leading to a unique and unrepeatable spectacle which had no intention of totalitarian unity. Besides, there was the belief that murcian parades were admirable artistic spectacles above other towns. As a consequence, the media came under the service of this totally aesthetic celebration, which should be appreciated through the senses, and which had the sacred imagery as the zenith of the line of argument. As this was a complex panorama, it is convenient to make a classification in order to present the main formal aspects in which everything was developed: imagery, tronos, costumes, working with precious metals, musical accompaniment, figureheads and the ephemeral.<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abEst\u00e9tica y ret\u00f3rica de la semana santa murciana: el per\u00edodo de la restauraci\u00f3n como fundamento de las procesiones contempor\u00e1neas<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 Est\u00e9tica y ret\u00f3rica de la semana santa murciana: el per\u00edodo de la restauraci\u00f3n como fundamento de las procesiones contempor\u00e1neas <\/li>\n
  • Autor:<\/strong>\u00a0 Jos\u00e9 Alberto Fernandez Sanchez <\/li>\n
  • Universidad:<\/strong>\u00a0 Murcia<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 23\/07\/2014<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Cristobal Belda Navarro<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: Francisco De la plaza Santiago <\/li>\n
        • Mar\u00eda del mar Nicolas Martinez (vocal)<\/li>\n
        • elias Hernandez albaladejo (vocal)<\/li>\n
        • Jes\u00fas Urrea fern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Jos\u00e9 Alberto Fernandez Sanchez La semana santa de murcia ha sufrido a lo largo de su historia […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1014,8235],"tags":[4050,64732,149437,5604,229484,77878],"class_list":["post-116186","post","type-post","status-publish","format-standard","hentry","category-historia-del-arte","category-murcia","tag-cristobal-belda-navarro","tag-elias-hernandez-albaladejo","tag-francisco-de-la-plaza-santiago","tag-jesus-urrea-fernandez","tag-jose-alberto-fernandez-sanchez","tag-maria-del-mar-nicolas-Martinez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/116186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=116186"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/116186\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=116186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=116186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=116186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}