{"id":116984,"date":"2018-03-11T10:46:22","date_gmt":"2018-03-11T10:46:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/party-borroka-jovenes-musicas-y-conflictos-en-euskal-herria-transformaciones-identitarias-a-comienzos-del-siglo-xxi\/"},"modified":"2018-03-11T10:46:22","modified_gmt":"2018-03-11T10:46:22","slug":"party-borroka-jovenes-musicas-y-conflictos-en-euskal-herria-transformaciones-identitarias-a-comienzos-del-siglo-xxi","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencia-politica\/party-borroka-jovenes-musicas-y-conflictos-en-euskal-herria-transformaciones-identitarias-a-comienzos-del-siglo-xxi\/","title":{"rendered":"Party & borroka. j\u00f3venes, m\u00fasica(s) y conflicto(s) en euskal herria: transformaciones identitarias a comienzos del siglo xxi"},"content":{"rendered":"

Tesis doctoral de Jon Andoni Del Amo Castro <\/strong><\/h2>\n

Este trabajo trabajo trata de estudiar las transformaciones de la contracultura (musical) vasca a lolargo del siglo xxi, y el sentido de las mismas. Nos referimos a estas expresiones vertebradas porla m\u00fasica y estilo con notable continuidad desde los 60: euskal kantagintza berria, rock radicalvasco y rock vasco. En torno a las cuales se construyen, expresan, interrelacionan y transforman lacultura euskaldun y vasca, los movimientos y conflictos sociales, y las formas de ocio. Y queimplican el desarrollo o resignificaci\u00f3n de todo un conjunto de de infraestructuras y espaciospropios, materiales y simb\u00f3licos, de comunicaci\u00f3n social.Especialmente registramos los cambios desde comienzos del nuevo siglo, pues resulta un periodoapenas transitado en los trabajos hasta ahora realizados, y las importantes novedades coyunturaleshacen sumamente interesante rastrear esas transformaciones y su sentido. De inter\u00e9s para interpretarlo que sucede en euskal herria y, dada la importancia de los componentes contraculturales ennuestra historia reciente, tambi\u00e9n en lo que este caso pueda aportar a otros debates m\u00e1s generales.Por tanto, sobre ese objeto que es la contracultura vasca, hemos situado el foco, pero operando unadoble apertura focal. Una primera tratando de registrar tambi\u00e9n las expresiones musicales quesuceden en sus m\u00e1rgenes. Una ampliaci\u00f3n mayor, para captar los cambios sociales, econ\u00f3micos ypol\u00edticos m\u00e1s de fondo y situar nuestras interpretaciones en relaci\u00f3n a ellos.M\u00fasica, culturas juveniles, conflicto, identidad, euskal herria<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abParty & borroka. j\u00f3venes, m\u00fasica(s) y conflicto(s) en euskal herria: transformaciones identitarias a comienzos del siglo xxi<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 Party & borroka. j\u00f3venes, m\u00fasica(s) y conflicto(s) en euskal herria: transformaciones identitarias a comienzos del siglo xxi <\/li>\n
  • Autor:<\/strong>\u00a0 Jon Andoni Del Amo Castro <\/li>\n
  • Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 23\/12\/2014<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Mar\u00eda Paula Guerra Tavares<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: josu Amezaga albizu <\/li>\n
        • imanol Galfarsoro madariaga (vocal)<\/li>\n
        • irache eufemia Aristegui fradua (vocal)<\/li>\n
        • eneko Videgain aire (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Jon Andoni Del Amo Castro Este trabajo trabajo trata de estudiar las transformaciones de la contracultura (musical) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[838,12909],"tags":[226467,230735,180012,230733,12932,230734],"class_list":["post-116984","post","type-post","status-publish","format-standard","hentry","category-ciencia-politica","category-pais-vasco-euskal-herriko-unibertsitatea","tag-eneko-videgain-aire","tag-imanol-galfarsoro-madariaga","tag-irache-eufemia-aristegui-fradua","tag-jon-andoni-del-amo-castro","tag-josu-amezaga-albizu","tag-maria-paula-guerra-tavares"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/116984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=116984"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/116984\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=116984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=116984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=116984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}