{"id":117215,"date":"2015-04-03T00:00:00","date_gmt":"2015-04-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-espiritualidad-de-mario-luzi-en-su-obra-poetica\/"},"modified":"2015-04-03T00:00:00","modified_gmt":"2015-04-03T00:00:00","slug":"la-espiritualidad-de-mario-luzi-en-su-obra-poetica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/lengua-y-literatura\/la-espiritualidad-de-mario-luzi-en-su-obra-poetica\/","title":{"rendered":"La espiritualidad de mario luzi en su obra po\u00e9tica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Encarnacion Esteban Bernabe <\/strong><\/h2>\n<p>Objetivos: el objetivo principal de esta tesis es dar difusi\u00f3n en nuestro pa\u00eds de la vida y la obra del insigne poeta toscano mario luzi, candidato hasta en seis ocasiones al premio nobel de literatura y sin embargo, gran desconocido entre el p\u00fablico espa\u00f1ol.  el otro gran objetivo de este trabajo es el de facilitar un acercamiento a la comprensi\u00f3n de la po\u00e9tica llamada &quot;espiritual&quot; sirvi\u00e9ndonos de algunas claves teol\u00f3gicas que hicieron de gu\u00eda en el viaje terrestre y celeste del poeta. Entendemos por obra espiritual los t\u00edtulos de la segunda mitad de su vida. Obras de tem\u00e1tica ontol\u00f3gica y trascendental, especialmente los recogidos bajo el nombre de frasi nella luce nascente, y los de los \u00faltimos a\u00f1os de su vida: sotto specie umana, dottrina dell&apos;estremo principiante y lasciami, non trattenermi. Nos acercamos a la po\u00e9tica luziana con la intenci\u00f3n de demostrar que estamos ante una poes\u00eda universal de naturaleza oracional.  contenidos: el trabajo est\u00e1 estructurado en tres cap\u00edtulos. En el primero recorremos los momentos vitales que marcaron la sensibilidad del poeta y que encontraron eco en sus versos. En el segundo cap\u00edtulo, analizamos las fuentes espirituales de las que bebi\u00f3 nuestro poeta y cuya huella encontramos de forma casi permanente en la po\u00e9tica luziana. Especial atenci\u00f3n prestamos a la figura de san agust\u00edn, san pablo y a la del jesuita franc\u00e9s teilhard de chardin. En el \u00faltimo cap\u00edtulo analizamos la obra espiritual de mario luzi, la tambi\u00e9n llamada obra &quot;cr\u00edstica&quot;.  metodolog\u00eda: \tpara la realizaci\u00f3n de esta tesis, en los dos primeros a\u00f1os de trabajo hemos llevado a cabo una labor de investigaci\u00f3n que nos ha empujado a estudiar en profundidad la obra de mario luzi y la ingente cantidad de estudios y art\u00edculos dedicados a \u00e9l, as\u00ed como a la poes\u00eda herm\u00e9tica y a la poes\u00eda espiritual. Durante estos dos primeros a\u00f1os se hicieron necesarias frecuentes visitas al centro de estudios mario luzi la barca, en la ciudad de pienza en la provincia de siena, as\u00ed como a la biblioteca de la facultad de letras de la universidad de florencia. En los dos \u00faltimos a\u00f1os se llev\u00f3 a cabo la labor de redacci\u00f3n de la tesis a partir del estudio realizado en la etapa previa.  conclusiones: \tlas principales conclusiones a las que hemos llegado tras este trabajo son: 1.\tLa poes\u00eda de mario luzi es universal y trascendental ya que da respuestas a los interrogantes que han sido formulados a lo largo de la historia de la humanidad. 2.\tEstamos ante una poes\u00eda &quot;cr\u00edstica&quot;. La figura de jes\u00fas de nazaret sustenta el universo luziano. 3.\tLa poes\u00eda de luzi es un canto a la caridad cristiana, en la que se encuentra  la respuesta al aut\u00e9ntico sentido de la vida.  4.\tLuzi participa de una espiritualidad franciscana en la que la creaci\u00f3n se convierte en instrumento de ascesis.  5.\tLuzi nos lega una poes\u00eda que descubre el poder redentor del dolor.  6.\tLos versos luzianos ayudan a entender la vida como un viaje de peregrinaci\u00f3n en el que el hombre-poeta toma consciencia de su pertenencia a la perfecta matem\u00e1tica celeste. 7.\tLos versos analizados presentan un estrecho lazo de uni\u00f3n con la oraci\u00f3n. El nexo entre poes\u00eda y oraci\u00f3n es tan sutil que en ocasiones se confunden.   especialmente originales son las cinco \u00faltimas conclusiones recogidas en este trabajo. No se hab\u00eda estudiado en profundidad hasta ahora  el sentido &quot;cr\u00edstico&quot; de la poes\u00eda luziana y el poder redentor del dolor, as\u00ed como la concepci\u00f3n misionera del poeta.   objetives: the main objective of this thesis is to make the life and work of the famous tuscan poet mario luzi known in our country. He was candidate up to six times to the nobel prize for literature, however, he is still largely unknown among the spanish audience. the other major objective of this work is to facilitate an approach to the understanding of the poetry called &quot;spiritual&quot; by using some theological keys to guide us in the overland and celestial trip of the poet. We mean by spiritual work the titles of the second half of his life. we are dealing with the ontological and transcendental theme works, especially those listed under the name of frasi nella luce nascente, and those of the last years of his life: sotto specie umana, dottrina dell&apos;estremo principiante and lasciami, non trattenermi. We are approaching the poetry of luzi with the intention of showing that we are faced with a poetry of universal and prayer nature.  contents: the work is structured in three chapters. In the first one we trace the vital moments that marked the sensitivity of the poet and which had an echo in his verses. In the second chapter, we analyze the spiritual sources from which our poet drank and whose footprints are almost always constant in the poetics of luzi. We pay a special attention to the figure of saint augustine, saint paul and to the french jesuit pierre teilhard de chardin. In the last chapter we discuss the spiritual work of mario luzi, also called the &quot;christics&quot; work.  methodology: in the first two years of study of this thesis we carried out a work of research that pushed us to study in depth the work of mario luzi and the enormous number of studies and articles devoted to him, as well as to the hermetic poetry and the spiritual one. During these first two years frequent visits were required: to the center of studies mario luzi la barca in pienza, (in the province of siena), as well as to the library of the faculty of letters at the university of florence. In the last two years we carried out the work of writing the thesis derived from the study in the previous step.  conclusion: the main conclusions we have reached after this work are:  1.\tThe poetry of mario luzi is universal and transcendental because it gives answers to the questions that have been made throughout the history of mankind. 2.\tWe are faced with a &quot;christic&quot; poetry. The figure of jesus of nazareth sustains the universe of luzi. 3.\tThe poetry of luzi is an ode to the christian charity, where it is found the answer to the true meaning of life. 4.\tLuzi presents a franciscan spirituality in which the creation becomes the instrument of asceticism. 5.\tLuzi hands down a poetry that discovers the redemptive power of the pain. 6.\tThe verses analyzed exhibit a tight link with prayer. The nexus between poetry and prayer is so subtle that sometimes they are confused.   the five latest conclusions drawn in this work are especially original. The &quot;christic&quot; sense of the poetry of luzi and the redemptive power of the pain, as well as the missionary conception of the poet, had not been studied in depth until now.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La espiritualidad de mario luzi en su obra po\u00e9tica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La espiritualidad de mario luzi en su obra po\u00e9tica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Encarnacion Esteban Bernabe <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/03\/2015<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Luis Ladr\u00f3n De Guevara Mellado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: vicente Gonz\u00e1lez mart\u00edn <\/li>\n<li>victoriano Pe\u00f1a s\u00e1nchez (vocal)<\/li>\n<li>Antonio  pablo Zamora mu\u00f1oz (vocal)<\/li>\n<li>irene Romera pintor (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Encarnacion Esteban Bernabe Objetivos: el objetivo principal de esta tesis es dar difusi\u00f3n en nuestro pa\u00eds de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[2142,636,8235],"tags":[231074,231073,69503,3272,19053,74653],"class_list":["post-117215","post","type-post","status-publish","format-standard","hentry","category-filologia","category-lengua-y-literatura","category-murcia","tag-antonio-pablo-zamora-munoz","tag-encarnacion-esteban-bernabe","tag-irene-romera-pintor","tag-pedro-luis-ladron-de-guevara-mellado","tag-vicente-gonzalez-martin","tag-victoriano-pena-sanchez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/117215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=117215"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/117215\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=117215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=117215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=117215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}