{"id":117574,"date":"2015-05-06T00:00:00","date_gmt":"2015-05-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-refugio-migratorio-una-fenomenologa%c2%ada-al-la%c2%admite\/"},"modified":"2015-05-06T00:00:00","modified_gmt":"2015-05-06T00:00:00","slug":"el-refugio-migratorio-una-fenomenologa%c2%ada-al-la%c2%admite","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/escultura\/el-refugio-migratorio-una-fenomenologa%c2%ada-al-la%c2%admite\/","title":{"rendered":"El refugio migratorio. una fenomenolog\u00eda al l\u00edmite"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miriam Isasi Arce <\/strong><\/h2>\n<p>Se ha trazado un recorrido de acercamiento al concepto de refugio temporal, el sentido de habitar y construir, desde el previo reconocimiento del contexto, el lugar y el territorio de manifestaci\u00c2\u00bfn habitual, as\u00c2\u00bf como de sus propiedades y caracter\u00c2\u00bfsticas espec\u00c2\u00bfficas. Reforzando las diferentes constantes formales encontradas y los paralelismos metodol\u00c2\u00bfgicos, entre el construir y el habitar, con una intenci\u00c2\u00bfn art\u00c2\u00bfstica o funcional. Pretendemos definir el habitar como parte esencial del hacer refugio.Trataremos de marcar una tipolog\u00c2\u00bfa del refugio en base a una funci\u00c2\u00bfn vivencial, estudiando los diferentes casos en el habitar y sus usos habituales. Con la intenci\u00c2\u00bfn de comparar y extraer un perfil identitario de cada funci\u00c2\u00bfn, que constate el empleo del refugio en su esencia del habitar. Bas\u00c2\u00bfndonos en tres ejes en cuanto a su funci\u00c2\u00bfn: la supervivencia, el placer o desarrollo hedonista y el conflicto o resistencia cr\u00c2\u00bftica.Por otra parte, trataremos de analizar la representaci\u00c2\u00bfn del refugio en el arte, el enfoque en este punto es m\u00c2\u00bfs diverso que el anterior, ya que no es la funci\u00c2\u00bfn lo que determinar\u00c2\u00bf el refugio sino una intenci\u00c2\u00bfn po\u00c2\u00bftica y conceptual basada en la representaci\u00c2\u00bfn. De esta forma el refugio que analizamos desde el arte se define desde una po\u00c2\u00bftica vitalista, esteticista y racionalista.Consideramos que la praxis de esta tesis tiene un peso relevante, nos ha servido como comprobaci\u00c2\u00bfn y expansi\u00c2\u00bfn del t\u00c2\u00bfrmino en el lenguaje que nos ocupa, como es la representaci\u00c2\u00bfn y la experiencia vivida o habitada.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El refugio migratorio. una fenomenolog\u00eda al l\u00edmite<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El refugio migratorio. una fenomenolog\u00eda al l\u00edmite <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miriam Isasi Arce <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/06\/2015<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Garraza Salanueva<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: natividad Naval\u00f3n blesa <\/li>\n<li>Jos\u00e9 angel Lasa garicano (vocal)<\/li>\n<li>septimiu Jugrestan &#8212; (vocal)<\/li>\n<li>yolanda Herranz pascual (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miriam Isasi Arce Se ha trazado un recorrido de acercamiento al concepto de refugio temporal, el sentido [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4363,12909],"tags":[28250,231607,231606,16876,231608,37654],"class_list":["post-117574","post","type-post","status-publish","format-standard","hentry","category-escultura","category-pais-vasco-euskal-herriko-unibertsitatea","tag-angel-garraza-salanueva","tag-jose-angel-lasa-garicano","tag-miriam-isasi-arce","tag-natividad-navalon-blesa","tag-septimiu-jugrestan","tag-yolanda-herranz-pascual"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/117574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=117574"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/117574\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=117574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=117574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=117574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}