{"id":117720,"date":"2018-03-11T10:47:23","date_gmt":"2018-03-11T10:47:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/euskarazko-zinemaren-produkzioa-eta-finantziazioa-2005-2012-hamaika-fikziozko-film-luzeren-azterketa-ekonomikoa\/"},"modified":"2018-03-11T10:47:23","modified_gmt":"2018-03-11T10:47:23","slug":"euskarazko-zinemaren-produkzioa-eta-finantziazioa-2005-2012-hamaika-fikziozko-film-luzeren-azterketa-ekonomikoa","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/euskarazko-zinemaren-produkzioa-eta-finantziazioa-2005-2012-hamaika-fikziozko-film-luzeren-azterketa-ekonomikoa\/","title":{"rendered":"Euskarazko  zinemaren produkzioa eta finantziazioa (2005-2012): hamaika fikziozko film luzeren azterketa ekonomikoa"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miren Manias Mu\u00f1oz <\/strong><\/h2>\n<p>Izenburuak dioen bezala, euskarazko zinemaren gaineko gogoeta egitea du helburu tesi-ikerketa honek; zehazki, fikziozko film luzeen oinarri ekonomikoak aztertzea. Horretarako, oinarri zientifiko bila, marko teorikoa osatu da kultura-industrien gaineko teoria eta zinemaren esparruan sakonduta. Hala, markatutako hipotesi, helburu eta metodolog\u00edari jarraiki, gaiaren gaineko analisia burutu da. Analisia, ordea, bi zatitan banatu da; batetik, testuinguruaren azterketa, eta, bestetik, hamaika fikziozko film luzeren azterketa ekonomikoa egin dira. Lehenengoan, europa, espainia eta eaeko zinemaren markoa eta egoera ezagutu dira, izan ere, euskarazko zinemaren jarduera hiru botere administratibo horiek erregulatzen dute. Bigarrenean, berriz, ezagutu nahi izan dira euskarazko fikziozko film luzeen produkzio baldintza eta finantziazio ereduak. Horrekin guztiarekin ekarri dugu euskarazko zinemaren egungo argazki ekonomikoa, ulertzeko azken urteetan hizkuntza horretan egindako produkzioaren gorakadaren zergatia; eta, horrez gainera, ezarri ditugu aurrera begirako lan-esparruak eta horretarako beharrezko baldintzak.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Euskarazko  zinemaren produkzioa eta finantziazioa (2005-2012): hamaika fikziozko film luzeren azterketa ekonomikoa<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Euskarazko  zinemaren produkzioa eta finantziazioa (2005-2012): hamaika fikziozko film luzeren azterketa ekonomikoa <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miren Manias Mu\u00f1oz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/06\/2015<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ram\u00f3n Zallo Elguezabal<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: margarita Ledo andi\u00f3n <\/li>\n<li>aitor Zuberrogoitia espilla (vocal)<\/li>\n<li>Jos\u00e9 vicente Idoyaga arr\u00f3spide (vocal)<\/li>\n<li>nerea Etxeberria arruti (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miren Manias Mu\u00f1oz Izenburuak dioen bezala, euskarazko zinemaren gaineko gogoeta egitea du helburu tesi-ikerketa honek; zehazki, fikziozko [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5547,12909,47010],"tags":[66597,149854,2910,231826,231827,41444],"class_list":["post-117720","post","type-post","status-publish","format-standard","hentry","category-cinematografia","category-pais-vasco-euskal-herriko-unibertsitatea","category-politica-cultural","tag-aitor-zuberrogoitia-espilla","tag-jose-vicente-idoyaga-arrospide","tag-margarita-ledo-andion","tag-miren-manias-munoz","tag-nerea-etxeberria-arruti","tag-ramon-zallo-elguezabal"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/117720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=117720"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/117720\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=117720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=117720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=117720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}