{"id":118283,"date":"2022-05-06T13:06:08","date_gmt":"2022-05-06T13:06:08","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-composicion-de-la-tragedia-tardia-de-euripides-efigenia-entre-los-tauros-helena-y-orestes\/"},"modified":"2022-05-06T13:06:08","modified_gmt":"2022-05-06T13:06:08","slug":"la-composicion-de-la-tragedia-tardia-de-euripides-efigenia-entre-los-tauros-helena-y-orestes","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-composicion-de-la-tragedia-tardia-de-euripides-efigenia-entre-los-tauros-helena-y-orestes\/","title":{"rendered":"La composicion de la tragedia tardia de euripides: efigenia entre los tauros, helena y orestes."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Milagros Quijada Sagredo <\/strong><\/h2>\n<p>La tesis pretende describir un modelo de accion dramatica que se deriva de un numero de ejemplos como tipo. Se trata de las tragedias en que anagnorisis e intriga estan intimamente relacionadas  y que forman un determinado grupo dentrode las obras de epoca tardia de euripides cuyas tendencias compositivas se pretenden mostrar. La tesis tiene una primera parte analitica  donde se estudianlos elementos formales minimos de cada obra definidos por su funcion (rheseis  stichomythiae elementos transicionales  agones  stasima y otras formas de canto)  y una segunda donde se estudia su disposicion sintagmatica en conjuntos definiendose literariamente su composicion a la luz de la poetica de aristoteles.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La composicion de la tragedia tardia de euripides: efigenia entre los tauros, helena y orestes.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La composicion de la tragedia tardia de euripides: efigenia entre los tauros, helena y orestes. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Milagros Quijada Sagredo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1984<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Hoz Bravo JavierDe<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Hoz Bravo  J. JavierDe <\/li>\n<li>Jes\u00fas Lens Tuero (vocal)<\/li>\n<li>Francisco Rodriguez Adrados (vocal)<\/li>\n<li>Antonio Lopez Eire (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Milagros Quijada Sagredo La tesis pretende describir un modelo de accion dramatica que se deriva de un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,9386,628],"tags":[9669,806,232533,23043,19740,64597],"class_list":["post-118283","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-salamanca","category-teoria-analisis-y-critica-literarios","tag-antonio-lopez-eire","tag-francisco-rodriguez-adrados","tag-hoz-bravo-j-javierde","tag-hoz-bravo-javierde","tag-jesus-lens-tuero","tag-milagros-quijada-sagredo"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/118283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=118283"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/118283\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=118283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=118283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=118283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}