{"id":11899,"date":"2001-03-07T00:00:00","date_gmt":"2001-03-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/adorno-y-la-vanguardia-arta%c2%adstica-negatividad-en-th-w-adorno-materiales-para-una-estetica-negativa\/"},"modified":"2001-03-07T00:00:00","modified_gmt":"2001-03-07T00:00:00","slug":"adorno-y-la-vanguardia-arta%c2%adstica-negatividad-en-th-w-adorno-materiales-para-una-estetica-negativa","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/adorno-y-la-vanguardia-arta%c2%adstica-negatividad-en-th-w-adorno-materiales-para-una-estetica-negativa\/","title":{"rendered":"Adorno y la vanguardia art\u00edstica. negatividad en th. w. adorno. (materiales para una est\u00e9tica negativa)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jes\u00fas Fern\u00e1ndez Orrico <\/strong><\/h2>\n<p>La presente tesis establece como proyecto central de investigaci\u00f3n, rastrear reflexivamente en la est\u00e9tica de adorno el sentido de la negatividad en cuanto entendemos que se trata de la mediaci\u00f3n fundamental desde la cual es posible acceder a la compresi\u00f3n de la naturaleza y funciones del arte y la est\u00e9tica adornianos.  1.1,- este seguimiento de la negatividad se realiza muy pegado al terreno de los propios textos de adorno y sus comentarias m\u00e1s destacados.  1.2,- asimismo el an\u00e1lisis de la negatividad sigue una duplicidad de itinerarios que se entrecruzan en la est\u00e9tica de adorno: la articulaci\u00f3n de la negatividad  a,-  en la est\u00e9tica, como teor\u00eda del arte en sentido general.  b,- en el arte en cuanto hecho concreto, en cu\u00e1nto producto humano &#8211; la obra de arte- que se constituye a trav\u00e9s de elementos compositivos propios, como generos, forma, materiales, t\u00e9cnica, montaje,etc.  el contraste con las vanguardias art\u00edsticas, en especial respecto a la negatividad en el arte y la funci\u00f3n de la est\u00e9tica respecto a la cr\u00edtica\/reconciliaci\u00f3n social, acompa\u00f1ar\u00e1 el itinerario reflexivo en paralelo y en el di\u00e1logo con el an\u00e1lisis de la negatividad est\u00e9tica adorniana.  la negatividad en tanto que alternativa a toda est\u00e9tica positiva es un modo de est\u00e9tica y pr\u00e1xis no coactiva.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Adorno y la vanguardia art\u00edstica. negatividad en th. w. adorno. (materiales para una est\u00e9tica negativa)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Adorno y la vanguardia art\u00edstica. negatividad en th. w. adorno. (materiales para una est\u00e9tica negativa) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jes\u00fas Fern\u00e1ndez Orrico <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 03\/07\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Calle De La Calle Roman De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jos\u00e9 Garcia roca <\/li>\n<li>wenceslao Rambla zaragoza (vocal)<\/li>\n<li> Blasco carrascosa Juan  a. (vocal)<\/li>\n<li>Jos\u00e9 Saborit viguer (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jes\u00fas Fern\u00e1ndez Orrico La presente tesis establece como proyecto central de investigaci\u00f3n, rastrear reflexivamente en la est\u00e9tica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[960,10452,165,17906],"tags":[33291,12046,39005,39006,22743,31394],"class_list":["post-11899","post","type-post","status-publish","format-standard","hentry","category-antropologia-filosofica","category-estetica","category-filosofia","category-hermeneutica","tag-blasco-carrascosa-juan-a","tag-calle-de-la-calle-roman-de-la","tag-jesus-fernandez-orrico","tag-jose-garcia-roca","tag-jose-saborit-viguer","tag-wenceslao-rambla-zaragoza"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=11899"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/11899\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=11899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=11899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=11899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}