{"id":12015,"date":"2001-06-07T00:00:00","date_gmt":"2001-06-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-de-la-narrativa-de-antonio-munoz-molina-beatus-ille-como-metanovela\/"},"modified":"2001-06-07T00:00:00","modified_gmt":"2001-06-07T00:00:00","slug":"estudio-de-la-narrativa-de-antonio-munoz-molina-beatus-ille-como-metanovela","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estudio-de-la-narrativa-de-antonio-munoz-molina-beatus-ille-como-metanovela\/","title":{"rendered":"Estudio de la narrativa de antonio mu\u00f1oz molina: beatus ille como metanovela"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Latorre Madrid Miguel \u00e1ngel <\/strong><\/h2>\n<p>Se analiza en primer lugar el ideario po\u00e9tico de a. Mu\u00f1oz molina teniendo en consideraci\u00f3n sus propias reflexiones publicadas sobre la naturaleza de la ficci\u00f3n. Aplicado a beatus ille se trata el concepto de metaficci\u00f3n, desde la formulaci\u00f3n como \u00abmetaficci\u00f3n historiogr\u00e1fica\u00bb a su realizaci\u00f3n como \u00abliteratura posmoderna\u00bb. La desmitificaci\u00f3n del h\u00e9roe y la historia; anacronismo y carvavalizaci\u00f3n: la memoria y la intertextualidad (el relato policiaco, la novela rosa, las t\u00e9cnicas cinematogr\u00e1ficas).  en una segunda parte se estudia la organizaci\u00f3n narrativa:la estructura (la circularidad, los niveles narrativos, el relato especular, el final de la novela); el narrador yla fragmentaci\u00f3n de la voz; el tiempo; el espacio (la ciudad como metonimia, la casa como cronotopos, la descripci\u00f3n y el simbolismo); el personaje (el tema del doble, la autonom\u00eda del personaje).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio de la narrativa de antonio mu\u00f1oz molina: beatus ille como metanovela<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio de la narrativa de antonio mu\u00f1oz molina: beatus ille como metanovela <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Latorre Madrid Miguel \u00e1ngel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/07\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Asunci\u00f3n Rallo Gruss<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jos\u00e9 Lara garrido <\/li>\n<li>Andr\u00e9s Soria olmedo (vocal)<\/li>\n<li>ricardo Senabre sempere (vocal)<\/li>\n<li>mercedes L\u00f3pez su\u00e1rez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Latorre Madrid Miguel \u00e1ngel Se analiza en primer lugar el ideario po\u00e9tico de a. Mu\u00f1oz molina teniendo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,149,2965,7834,628],"tags":[3571,4676,5713,39379,22749,8738],"class_list":["post-12015","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-estilo-y-estetica-literarios","category-malaga","category-teoria-analisis-y-critica-literarios","tag-andres-soria-olmedo","tag-asuncion-rallo-gruss","tag-jose-lara-garrido","tag-latorre-madrid-miguel-angel","tag-mercedes-lopez-suarez","tag-ricardo-senabre-sempere"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/12015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=12015"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/12015\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=12015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=12015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=12015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}