{"id":121978,"date":"2024-06-16T20:08:25","date_gmt":"2024-06-16T20:08:25","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-forma-y-el-color-en-las-fachadas-de-la-arquitectura-modernista-en-valencia-1900-1915\/"},"modified":"2024-06-16T20:08:25","modified_gmt":"2024-06-16T20:08:25","slug":"la-forma-y-el-color-en-las-fachadas-de-la-arquitectura-modernista-en-valencia-1900-1915","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-forma-y-el-color-en-las-fachadas-de-la-arquitectura-modernista-en-valencia-1900-1915\/","title":{"rendered":"La forma y el color en las fachadas de la arquitectura modernista en Valencia (1900-1915)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Soto Arandiga Concepcion De <\/strong><\/h2>\n<p>Analisis teorico-grafico (dibujo) de la arquitectura modernista a partir de los proyectos originales y de las obras construidas. La tesis desarrolla el analisis de la forma y el color en las obras arquitectonicas mas relevantes del periodo modernista en Valencia. Se parte de un listado de 72 obras modernistas y de entre ellas se escogen las 45 mas relevantes para su analisis teorico y practico. El analisis de cada obra comprende como datos de partida el proyecto original y la obra. Con estos datos se desarrollan un estudio teorico sobre la composicion  la forma y el color  las caracteristicas definitorias de la obra  y de la suma de todas las obras las conclusiones por arquitectos adscritos a las distintas vertientes modernistas. La parte practica corresponde a la realizacion de dibujos de la autora para estudiar los elementos ordenadores de la composicion  los detalles y subdetalles que conforman la obra. Previo a este nucleo de la tesis se estudia el desarrollo e influencias del modernismo en europa respecto a Valencia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La forma y el color en las fachadas de la arquitectura modernista en Valencia (1900-1915)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La forma y el color en las fachadas de la arquitectura modernista en Valencia (1900-1915) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Soto Arandiga Concepcion De <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1986<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Calle De La Calle Roman De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Ba\u00f1os Martos <\/li>\n<li>Miguel Garcia Lison (vocal)<\/li>\n<li>Miguel Ruiz Masip (vocal)<\/li>\n<li>Rafael Contel Comege (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Soto Arandiga Concepcion De Analisis teorico-grafico (dibujo) de la arquitectura modernista a partir de los proyectos originales [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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