{"id":12788,"date":"2018-03-09T08:58:47","date_gmt":"2018-03-09T08:58:47","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/comediants-la-dramaturgia-en-el-espacio-publico\/"},"modified":"2018-03-09T08:58:47","modified_gmt":"2018-03-09T08:58:47","slug":"comediants-la-dramaturgia-en-el-espacio-publico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/comediants-la-dramaturgia-en-el-espacio-publico\/","title":{"rendered":"Comediants: la dramaturgia en el espacio publico"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pedro Celedon Ba\u00f1ados <\/strong><\/h2>\n<p>Investigacion sobre el arte que realizan en el espacio publico, el grupo catalan comediants.  se investiga el como, para,ellos, la ciudad, su entorno: con sus realidades sociales, espaciales, sus dimensiones historicas y culturales propias, les han ofrecido una potencialidad gigantesca, para que se involucren y recreen sus lenguajes, tecnicas y materiales. El analisis esta compuesto de tres partes:  i. En la primera, nos centramos en un intento por situar a la actividad del teatro de calle, con su discurso propio, en el que la ciudad esta incorporada.  ii. Parte. Abordamos el hacer artistico de comediants, su produccion global, extensa y variada.  iii. Parte. Analisis de las propuestas realizadas por el colectivo en los espacios p\u00fablicos. Sus estrategias, las implicancias simb\u00f3licas que activa, construidas sobre la alianza tradicion y vanguardia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Comediants: la dramaturgia en el espacio publico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Comediants: la dramaturgia en el espacio publico <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pedro Celedon Ba\u00f1ados <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/09\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Mar\u00eda Arias De Coss\u00edo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: delf\u00edn Rodr\u00edguez ruiz <\/li>\n<li>mireia Freixa serra (vocal)<\/li>\n<li>Manuel Garcia guatas (vocal)<\/li>\n<li>Francisco Lagares prieto (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pedro Celedon Ba\u00f1ados Investigacion sobre el arte que realizan en el espacio publico, el grupo catalan comediants. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,1014,222,1110,1111],"tags":[5032,6807,4969,28798,28157,41722],"class_list":["post-12788","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-del-arte","category-historias-especializadas","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-ana-maria-arias-de-cossio","tag-delfin-rodriguez-ruiz","tag-francisco-lagares-prieto","tag-manuel-garcia-guatas","tag-mireia-freixa-serra","tag-pedro-celedon-banados"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/12788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=12788"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/12788\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=12788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=12788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=12788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}