{"id":12847,"date":"2018-03-09T08:58:53","date_gmt":"2018-03-09T08:58:53","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/texto-literatio-y-texto-filmico-estudio-comparativo-textual-la-obra-novelistica-de-wenceslao-fernandez-florez-y-el-cine-el-malvado-carabel\/"},"modified":"2018-03-09T08:58:53","modified_gmt":"2018-03-09T08:58:53","slug":"texto-literatio-y-texto-filmico-estudio-comparativo-textual-la-obra-novelistica-de-wenceslao-fernandez-florez-y-el-cine-el-malvado-carabel","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/texto-literatio-y-texto-filmico-estudio-comparativo-textual-la-obra-novelistica-de-wenceslao-fernandez-florez-y-el-cine-el-malvado-carabel\/","title":{"rendered":"Texto literatio y texto filmico. estudio comparativo-textual. la obra novelistica de wenceslao fernandez florez y el cine: \u00abel malvado carabel\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pilar Couto Cantero <\/strong><\/h2>\n<p>La tesis analiza los paralelismos y divergencias entre el texto novelistico de w. Fernandez florez y la transposicion filmica realizada por f.Fernan gomez, de el malvado carabel, realizando antes un estudio previo tanto del marco historico como de la obra restante del autor escogido, tambien llevada al cine e incluso a la television.  uno de los muchos motivos por los cuales la doctoranda eligio este autor y esta obra en concreto responde a las diferentes transposiciones llevadas a la gran pantalla, asi como de las adaptaciones hechas para television espa\u00f1ola. Ello marca toda una larga etapa que ocupa unos treinta y cinco a\u00f1os en los que la obra de w. Fernandez florez permanecio activa y formo parte de la vida cultural de los espa\u00f1oles por medio de diferentes vias de comunicaci\u00f3n.  los contenidos de este trabajo estan basados en las fuentes textuales y filmicas que le sirven de apoyo, teniendo en cuenta el conocimiento de la existencia de otras dos transposiciones referidas al texto narrativo y sobre las cuales se investiga rescatando en algun caso el guion  y parte del rollo de la pelicula.  a partir del analisis de ambos tipos de discurso se aprecia el funcionamiento de ambos sistemas de expresion artistica, el narrativo y el filmico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Texto literatio y texto filmico. estudio comparativo-textual. la obra novelistica de wenceslao fernandez florez y el cine: \u00abel malvado carabel\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Texto literatio y texto filmico. estudio comparativo-textual. la obra novelistica de wenceslao fernandez florez y el cine: \u00abel malvado carabel\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pilar Couto Cantero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 A coru\u00f1a<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/09\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Mar\u00eda Paz Gago<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: dar\u00edo Villanueva prieto <\/li>\n<li>Jorge Urrutia gomez (vocal)<\/li>\n<li>vicente Gonzalez radio (vocal)<\/li>\n<li>Francisco Gutierrez carbajo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pilar Couto Cantero La tesis analiza los paralelismos y divergencias entre el texto novelistico de w. Fernandez [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[18576,148,147,5547,1111,628],"tags":[3159,41889,5233,18990,41888,6169],"class_list":["post-12847","post","type-post","status-publish","format-standard","hentry","category-a-coruna","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","tag-dario-villanueva-prieto","tag-francisco-gutierrez-carbajo","tag-jorge-urrutia-gomez","tag-jose-maria-paz-gago","tag-pilar-couto-cantero","tag-vicente-gonzalez-radio"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/12847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=12847"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/12847\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=12847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=12847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=12847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}