{"id":128511,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/repercusiones-socio-industriales-y-creativas-de-la-implantacion-del-cine-sonoro-en-espana-1927-1934\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"repercusiones-socio-industriales-y-creativas-de-la-implantacion-del-cine-sonoro-en-espana-1927-1934","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/repercusiones-socio-industriales-y-creativas-de-la-implantacion-del-cine-sonoro-en-espana-1927-1934\/","title":{"rendered":"Repercusiones socio-industriales y creativas de la implantacion del cine sonoro en espa\u00f1a (1927-1934)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Luis Fernandez Colorado <\/strong><\/h2>\n<p>El advenimiento de las peliculas sonoras supuso una convulsion internacional de extraordinaria magnitud, y cinematografias como la espa\u00f1ola, tan debiles como dependientes de las decisiones que se tomaban allende nuestras fronteras, sufrieron con especial virulencia las consecuencias del subito cambio. Por descontado, los tres sectores (produccion, distribucion y exhibicion) tuvieron que adecuarse con enorme rapidez a la novedosa modalidad, arrastrando costosas inversiones, pero otros muchos profesionales se vieron afectados (musicos, etc.).  ademas, se generaron interesantes y polemicos debates (esteticos, linguisticos&#8230;) Que focalizaron la atencion de los mas insignes especialistas en cada area.  el presente trabajo ha pretendido estudiar esos aspectos derivados de manera directa de la irrupcion del cine sonoro, creando un marco general que aun faltaba y profundizando en temas hasta el momento desatendidos pero de indudable importancia para comprender en toda su magnitud lo que supuso este crucial proceso de cambio.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Repercusiones socio-industriales y creativas de la implantacion del cine sonoro en espa\u00f1a (1927-1934).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Repercusiones socio-industriales y creativas de la implantacion del cine sonoro en espa\u00f1a (1927-1934). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Luis Fernandez Colorado <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Garcia Fernandez Emilio Carlos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan Benavides Delgado <\/li>\n<li>Rafael Utrera Macias (vocal)<\/li>\n<li>Santiago Sanchez Gonzalez (vocal)<\/li>\n<li>Juan Hernandez Les (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Luis Fernandez Colorado El advenimiento de las peliculas sonoras supuso una convulsion internacional de extraordinaria magnitud, y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,986,1111],"tags":[44251,5803,143055,69827,11214,24429],"class_list":["post-128511","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-complutense-de-madrid","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-garcia-fernandez-emilio-carlos","tag-juan-benavides-delgado","tag-juan-hernandez-les","tag-luis-fernandez-colorado","tag-rafael-utrera-macias","tag-santiago-sanchez-gonzalez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/128511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=128511"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/128511\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=128511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=128511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=128511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}