{"id":128804,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-tinta-en-el-grabado-viscosidad-y-reologia-estampacion-en-matrices-alternativas\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"la-tinta-en-el-grabado-viscosidad-y-reologia-estampacion-en-matrices-alternativas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-tinta-en-el-grabado-viscosidad-y-reologia-estampacion-en-matrices-alternativas\/","title":{"rendered":"La tinta en el grabado: viscosidad y reolog\u00eda. estampacion en matrices alternativas."},"content":{"rendered":"

Tesis doctoral de Merin Ca\u00f1ada M. Angeles <\/strong><\/h2>\n

Se parte de la tecnica de hayter como realidad observable y desde ella se plantean tres hipotesis de trabajo: . ?Cual es su explicacion cientifica?. . ?Es solo sensacion o se corresponden con una realidad los colores tal y como los vemos en la estampa?. . ?Es posible utilizar dicha tecnica sobre una matriz realizada con material poroso?.La investigacion experimental se desarrolla atendiendo a tres puntos de interes: la tinta, el color y la estampacion. Con: – el analisis cualitativo de la tinta por espectroscopia infrarroja y su caracteristica de flujo. – la colorimetria. – y las estampaciones realizadas con matrices de material poroso de: madera, carton y goma espuma. se consigue, la interpretacion cientifica cualitativa de los efectos artisticos proporcionados por la tecnica de hayter, como sistema de estampacion, con las siguientes conclusiones respuestas a las hipotesis planteadas: 1. La mezcla de tintas se produce en el rodillo o en la matriz, segun sea uno u otra el soporte de la tinta viscosa. 2. Los datos obtenidos por colorimetria confirman, que en las condiciones de viscosidad establecidas entre las tintas, no se produce la mezcla de color, siendo por tanto realidad y no solo sensacion. 3. Las matrices porosas de carton y madera, son aptas para estampar con la tecnica de hayter; en cambio, la matriz de goma espuma no permite repetir la impresion y solo es aplicable para hacer monotipos.<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abLa tinta en el grabado: viscosidad y reolog\u00eda. estampacion en matrices alternativas.<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 La tinta en el grabado: viscosidad y reolog\u00eda. estampacion en matrices alternativas. <\/li>\n
  • Autor:<\/strong>\u00a0 Merin Ca\u00f1ada M. Angeles <\/li>\n
  • Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • \u00e1lvaro Paricio Latasa<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: Carlos P\u00e9rez Reyes <\/li>\n
        • Alcala Mellado Jos\u00e9 Ramon (vocal)<\/li>\n
        • Angel Vian Ortu\u00f1o (vocal)<\/li>\n
        • Elexpuru Soloaga Jos\u00e9 Mar\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Merin Ca\u00f1ada M. Angeles Se parte de la tecnica de hayter como realidad observable y desde ella […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,986,4100,1111],"tags":[31262,6694,5960,5816,28242,242124],"class_list":["post-128804","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-complutense-de-madrid","category-dibujo-y-grabado","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-alcala-mellado-jose-ramon","tag-alvaro-paricio-latasa","tag-angel-vian-ortuno","tag-carlos-perez-reyes","tag-elexpuru-soloaga-jose-maria","tag-merin-canada-m-angeles"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/128804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=128804"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/128804\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=128804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=128804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=128804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}