{"id":129074,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-arte-en-las-revistas-ilustradas-madrilenas-1835-1840\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"el-arte-en-las-revistas-ilustradas-madrilenas-1835-1840","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-arte-en-las-revistas-ilustradas-madrilenas-1835-1840\/","title":{"rendered":"El arte en las revistas ilustradas madrile\u00f1as (1835-1840)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Isabel Tajahuerce Angel <\/strong><\/h2>\n<p>\u00abel artista\u00bb, el \u00absemanario pintoresco espa\u00f1ol\u00bb, el \u00abobservatorio pintoresco\u00bb, el \u00abmuseo artistico y literario\u00bb, \u00abno me olvides\u00bb, el \u00absiglo xix\u00bb y \u00abel panorama\u00bb tuvieron una gran importancia para la expansion de la cultura entre la clase media espa\u00f1ola,pues sus editores estaban firmemente convencidos de que solo asi el pais entraria en una dinamica de progreso y evolucion.La divulgacion del arte entre sus lectores es uno de sus objetivos fundamentales. Esta tarea se concreta en una serie de articulos encaminados a mejorar los conocimientos sobre la materia, formentando al mismo tiempo el respeto por las bellas artes.  este trabajo al mismo tiempo el respecto por las bellas artes.  este trabajo analiza los aspectos se\u00f1alados y muestra la importancia que tales publicaciones tuvieron en el desarrollo de algunas tecnicas de reproduccion- especialmente el grabado en madera y la litografia- en espa\u00f1a. En este sentido, cumplieron ademas una tarea primordial:dar a conocer y facilitar un primer contacto con las expresiones artisticas mas destacadas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arte en las revistas ilustradas madrile\u00f1as (1835-1840).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arte en las revistas ilustradas madrile\u00f1as (1835-1840). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Isabel Tajahuerce Angel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>M\u00aa Dolores Saiz Garc\u00eda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Pedro Farias Garcia <\/li>\n<li>Joan Manuel Tresserras Gaju (vocal)<\/li>\n<li>Francisco Javier Davara Rodr\u00edguez (vocal)<\/li>\n<li>Alfonso Braojos Garrido (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Isabel Tajahuerce Angel \u00abel artista\u00bb, el \u00absemanario pintoresco espa\u00f1ol\u00bb, el \u00abobservatorio pintoresco\u00bb, el \u00abmuseo artistico y literario\u00bb, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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