{"id":129708,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-objeto-ausente-alternativa-a-las-estrategias-de-manipulacion-objetual-en-el-arte\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"el-objeto-ausente-alternativa-a-las-estrategias-de-manipulacion-objetual-en-el-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-objeto-ausente-alternativa-a-las-estrategias-de-manipulacion-objetual-en-el-arte\/","title":{"rendered":"El objeto ausente. alternativa a las estrategias de manipulacion objetual en el arte."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Diaz Aleman Manuel Drago <\/strong><\/h2>\n<p>El presente trabajo se presenta como alternativa plastica a las producciones que en el arte contemporaneo, se desarrollaron a partir de principios del siglo xx, determinadas por la aparicion del \u00abobjeto real\u00bb apropiado como obra de arte.La propuesta se fundamenta teoricamente en el recurso de recreacion, aplicado sobre un proceso creativo, arquetipico, de la produccion objetual.Los fundamentos teoricos se completan con la realizacion de una obra personal que demuestra la viabilidad de la propuesta presentada. Todo ello marcado por el uso de la simulacion y la ficcion como recursos conceptuales aplicados en la elaboracion del discurso artistico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El objeto ausente. alternativa a las estrategias de manipulacion objetual en el arte.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El objeto ausente. alternativa a las estrategias de manipulacion objetual en el arte. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Diaz Aleman Manuel Drago <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Aldeguer Aldeguer<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Coll I Puig Jaume <\/li>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda (vocal)<\/li>\n<li>Francisco Aznar Vallejo (vocal)<\/li>\n<li> De Soto Arandiga Ramon (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Diaz Aleman Manuel Drago El presente trabajo se presenta como alternativa plastica a las producciones que en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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