{"id":130002,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-anamorfosis-en-el-arte-la-anamorfosis-historica-como-base-de-la-investigacion-actual-sobre-las-transformaciones-artisticas\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"las-anamorfosis-en-el-arte-la-anamorfosis-historica-como-base-de-la-investigacion-actual-sobre-las-transformaciones-artisticas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/las-anamorfosis-en-el-arte-la-anamorfosis-historica-como-base-de-la-investigacion-actual-sobre-las-transformaciones-artisticas\/","title":{"rendered":"Las anamorfosis en el arte: la anamorfosis historica como base de la investigacion actual sobre las transformaciones artisticas."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Lopez Montero M. Belleda <\/strong><\/h2>\n<p>\u00abanamorfosis es la deformacion real que se recompone y corrige visualmente desde un punto de vista ideal, siendo reversible por principios de la optica geometrica. Se dividen en dos tipos:  anamorfosis opticas: deformacion cuyo punto de vista ideal se situa en oblicuo con respecto al plano pictorico.  anamorfosis catoptricas: aquellas que necesitan de una superficie especular determinada, (un cilindro, un cono una piramide, etc.) Para su recomposicion ideal\u00bb.  limites:  se recopilan las experiencias historicas, se ponen al dia con las tecnicas actuales y se abre al futuro con nuevas posibilidades utilitarias. Siendo, por todo ello, una tesis abierta a muchas posibilidades futuras.  el campo en que nos movemos en esta tesis es el control de las deformaciones proyectivas y, en consecuencia, su reconstruccion rigurosa.  breve indice:  1.-Antecedentes y evolucion historica de las anamorfosis 2.-Concepto de anamorfosis 3.-Metodos teoricos y experimentales originales 4.-Nuevas tecnolog\u00edas: fotografia e informatica 5.-Publicidad y se\u00f1aletica 6.-Estudio de luz y sombra como analogia de las anamorfosis 7.-Experiencias anamorficas ineditas 8.-Otros tipos de anamorfosis.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las anamorfosis en el arte: la anamorfosis historica como base de la investigacion actual sobre las transformaciones artisticas.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las anamorfosis en el arte: la anamorfosis historica como base de la investigacion actual sobre las transformaciones artisticas. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Lopez Montero M. Belleda <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan Cordero Ruiz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Tom\u00e1s Sanmart\u00edn <\/li>\n<li> Mi\u00f1arro Lopez Juan  Manuel (vocal)<\/li>\n<li> Ara\u00f1o Gisbert Juan  Carlos (vocal)<\/li>\n<li>Eugenio Marques Garces (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Lopez Montero M. Belleda \u00abanamorfosis es la deformacion real que se recompone y corrige visualmente desde un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4100,3806,10715,1111],"tags":[7799,4105,101661,11330,243487,10801],"class_list":["post-130002","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-pintura","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-tomas-sanmartin","tag-arano-gisbert-juan-carlos","tag-eugenio-marques-garces","tag-juan-cordero-ruiz","tag-lopez-montero-m-belleda","tag-minarro-lopez-juan-manuel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=130002"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130002\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=130002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=130002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=130002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}