{"id":130046,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/morfologia-y-sintaxis-del-mito-en-la-narrativa-de-michel-tournier\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"morfologia-y-sintaxis-del-mito-en-la-narrativa-de-michel-tournier","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/morfologia-y-sintaxis-del-mito-en-la-narrativa-de-michel-tournier\/","title":{"rendered":"Morfolog\u00eda y sintaxis del mito en la narrativa de michel tournier."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Pe\u00f1alva Garcia M. Eugenia <\/strong><\/h2>\n<p>En esta tesis se analizaron dos textos de la obra narrativa de michel tournier: le roi des aulnes y les meteores.Le roi des aulnes cuenta la historia de un hombre que llega a convertirse en ogro. El autor conjuga el mito del ogro con la idea que tiene de la \u00abphorie\u00bb interrelacionando de esta manera el mito del ogro con el de san cristoforo. Tambien trata el tema del mito del doble, junto con el del eterno retorno.  les metheores narra a su vez dos historias que se entrecruzan: la vida comun y la separacion de dos gemelos por un lado, y las aventuras de un homosexual dedicado al reciclaje de basuras, por otro. El texto se centra por tanto en el mito de la gemelaridad y del androgino, aunque tambien trata el del doble.  intentamos demostrar, tras el analisis de estos dos textos, que todos los mitos utilizados por tournier tienen un fondo comun que los unifica. Nuestra principal aportacion a la critica de este autor es la de afirmar que cada uno de los heroes es presentado como un superhombre, el cual es capaz de superar y de vencer los dificilisimos ritos de iniciacion y de llegar, tras un proceso de metamorfosis, a su destino final, que no es otro, que el de convertirse en un ser inmortal.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Morfolog\u00eda y sintaxis del mito en la narrativa de michel tournier.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Morfolog\u00eda y sintaxis del mito en la narrativa de michel tournier. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Pe\u00f1alva Garcia M. Eugenia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Adelaida Porras Medrano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Angel Garcia Peinado <\/li>\n<li>Leonor Molero Alcaraz (vocal)<\/li>\n<li>Inmaculada Diaz Narbona (vocal)<\/li>\n<li>Mar\u00eda Mu\u00f1oz Romero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pe\u00f1alva Garcia M. Eugenia En esta tesis se analizaron dos textos de la obra narrativa de michel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,59,62,10715,409,628],"tags":[43985,48120,243540,55985,2305,243539],"class_list":["post-130046","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-linguistica","category-linguistica-sincronica","category-sevilla","category-sintaxis-y-analisis-sintactico","category-teoria-analisis-y-critica-literarios","tag-adelaida-porras-medrano","tag-inmaculada-diaz-narbona","tag-leonor-molero-alcaraz","tag-maria-munoz-romero","tag-miguel-angel-garcia-peinado","tag-penalva-garcia-m-eugenia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=130046"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130046\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=130046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=130046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=130046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}