{"id":130207,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-de-la-obra-de-salvador-soria-pintura-y-escultura-y-catalogo-razonado\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"estudio-de-la-obra-de-salvador-soria-pintura-y-escultura-y-catalogo-razonado","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/estudio-de-la-obra-de-salvador-soria-pintura-y-escultura-y-catalogo-razonado\/","title":{"rendered":"Estudio de la obra de salvador soria: pintura y escultura y catalogo razonado"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Cristina Domenech Romero <\/strong><\/h2>\n<p>En la presente tesis doctoral se ha llevado a cabo un estudio de la obra realizada por el artista salvador soria (Valencia, 1915). Tal y como se indica en el titulo dicho analisis se ha centrado unicamente en sus manifestaciones pictoricas y escultoricas. En este trabajo pueden distinguirse claramente dos grandes apartados: el primero, la realizacion de un catalogo razonado de las obras de soria en el que se han recogido un total de 433 obras en los apartados de pintura, escultura y dibujo; asi como la elaboracion de un analisis teorico de dicha obra.  en este segundo apartado, ademas de las necesarias contextualizaciones historicas, se ha dividido toda la produccion de salvador soria en cuatro periodos artisticos bien diferenciados, englobados bajo los epigrafes de periodo frances, sintesis superrealista, integraciones y escultura. Finalmente, y a partir de las dos anteriores actividades, se han elaborado unas conclusiones personales en las que se ha tratado de establecer las claves que han llevado al artista a realizar su obra.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio de la obra de salvador soria: pintura y escultura y catalogo razonado<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio de la obra de salvador soria: pintura y escultura y catalogo razonado <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Cristina Domenech Romero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Calle De La Calle Roman De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Inmaculada Aguilar Civera <\/li>\n<li> Blasco Carrascosa Juan  A. (vocal)<\/li>\n<li>Pablo Ram\u00edrez P\u00e9rez (vocal)<\/li>\n<li> Selma De La Hoz Jos\u00e9 Vte. (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Cristina Domenech Romero En la presente tesis doctoral se ha llevado a cabo un estudio de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[33291,12046,243721,27045,41172,243722],"class_list":["post-130207","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-blasco-carrascosa-juan-a","tag-calle-de-la-calle-roman-de-la","tag-cristina-domenech-romero","tag-inmaculada-aguilar-civera","tag-pablo-ramirez-perez","tag-selma-de-la-hoz-jose-vte"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=130207"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130207\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=130207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=130207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=130207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}