{"id":130520,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-y-edicion-critica-de-la-redoma-encantada-de-j-e-hartzenbusch\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"estudio-y-edicion-critica-de-la-redoma-encantada-de-j-e-hartzenbusch","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/estudio-y-edicion-critica-de-la-redoma-encantada-de-j-e-hartzenbusch\/","title":{"rendered":"Estudio y edicion critica de \u00abla redoma encantada\u00bb de j. e. hartzenbusch."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fuente Ballesteros Elena De La <\/strong><\/h2>\n<p>El teatro de magia, genero caracterizado por la espectacularidad de su puesta en escena, se cultivo con gran exito durante los siglos xvii y xviii, siguiendo su buena fortuna durante el xix.Las tres comedias de magia que nos lego el escritor hispano-aleman juan eugenio hartzenbusch (1806-1880) constituyen una muestra representativa de la evolucion del genero durante la epoca decimonica.El objetivo de esta tesis doctoral ha sido poner de manifiesto la maquinaria constructiva de este autor, su sistematicidad, sus ideas dramaturgicas y su evolucion en consonancia con los tiempos a traves del estudio de los tres manuscritos de \u00abla redoma encantada\u00bb depositados en la biblioteca nacional (signaturas: 20841 elevado a 3, 20841 elevado a 4, 20900) y de las versiones impresas en 1839 y 1862, estudio que se completa con la elaboracion de una edicion critica de esta obra.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio y edicion critica de \u00abla redoma encantada\u00bb de j. e. hartzenbusch.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio y edicion critica de \u00abla redoma encantada\u00bb de j. e. hartzenbusch. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fuente Ballesteros Elena De La <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fabian Gutierrez Florez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Alfredo Hermenegildo Fernandez <\/li>\n<li>Alberto Romero Ferrer (vocal)<\/li>\n<li>Salvador Garcia Casta\u00f1eda (vocal)<\/li>\n<li>Joaquin Alvarez Barrientos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fuente Ballesteros Elena De La El teatro de magia, genero caracterizado por la espectacularidad de su puesta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,149,104,713,222,628,12451],"tags":[1868,146621,244107,244106,7811,40635],"class_list":["post-130520","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-historia","category-historia-de-la-literatura","category-historias-especializadas","category-teoria-analisis-y-critica-literarios","category-valladolid","tag-alberto-romero-ferrer","tag-alfredo-hermenegildo-fernandez","tag-fabian-gutierrez-florez","tag-fuente-ballesteros-elena-de-la","tag-joaquin-alvarez-barrientos","tag-salvador-garcia-castaneda"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=130520"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130520\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=130520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=130520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=130520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}