{"id":130589,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/kubla-khan-hacia-una-revision-de-su-significado-como-sintesis-de-la-teoria-y-la-expresion-poetica-de-s-t-coleridge\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"kubla-khan-hacia-una-revision-de-su-significado-como-sintesis-de-la-teoria-y-la-expresion-poetica-de-s-t-coleridge","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/kubla-khan-hacia-una-revision-de-su-significado-como-sintesis-de-la-teoria-y-la-expresion-poetica-de-s-t-coleridge\/","title":{"rendered":"\u00abkubla khan\u00bb: hacia una revision de su significado como sintesis de la teoria y la expresion poetica de s.t. coleridge."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Perojo Arronte M. Eugenia <\/strong><\/h2>\n<p>En esta tesis se presenta una lectura doble del poema \u00abkubla khan\u00bb, de s.T. Coleridge, fundamentada en la evolucion del pensamiento poetico de su autor, pero tambien propiciada y evidenciada por una serie de elementos de juicio a\u00f1adidos que constituyen el corpus central del trabajo: el opio y la creatividad, las relaciones intertextuales internas -esto es, con el resto de la obra de coleridge- y externas -con obras de otros autores y de indole diversa- que mantiene el poema, el lugar de \u00abkubla khan\u00bb dentro del canon poetico que coleridge confecciono de su propia obra, y lo que representa a la luz de su teoria literaria: la que el poeta sostenia en el momento de su composicion y aquella a la que habia llegado en el momento de su publicacion.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abkubla khan\u00bb: hacia una revision de su significado como sintesis de la teoria y la expresion poetica de s.t. coleridge.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abkubla khan\u00bb: hacia una revision de su significado como sintesis de la teoria y la expresion poetica de s.t. coleridge. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Perojo Arronte M. Eugenia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Perez Martin M. Jes\u00fas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Emilio Lledo I\u00f1igo <\/li>\n<li>Ramon L\u00f3pez Ortega (vocal)<\/li>\n<li>Francisco Garcia Tortosa (vocal)<\/li>\n<li>Roman Alvarez Rodriguez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Perojo Arronte M. Eugenia En esta tesis se presenta una lectura doble del poema \u00abkubla khan\u00bb, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,2965,628,12451],"tags":[277,658,111737,244185,11021,11023],"class_list":["post-130589","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-estetica-literarios","category-teoria-analisis-y-critica-literarios","category-valladolid","tag-emilio-lledo-inigo","tag-francisco-garcia-tortosa","tag-perez-martin-m-jesus","tag-perojo-arronte-m-eugenia","tag-ramon-lopez-ortega","tag-roman-alvarez-rodriguez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=130589"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/130589\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=130589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=130589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=130589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}