{"id":130817,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/un-paseo-por-la-muerte-en-el-arte-contemporaneo-desde-los-anos-sesenta\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"un-paseo-por-la-muerte-en-el-arte-contemporaneo-desde-los-anos-sesenta","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/un-paseo-por-la-muerte-en-el-arte-contemporaneo-desde-los-anos-sesenta\/","title":{"rendered":"Un paseo por la muerte en el arte contemporaneo desde los a\u00f1os sesenta."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Beatriz Silva Uribarri <\/strong><\/h2>\n<p>Introduciendo con las etimolog\u00edas y posibles acepciones del termino muerte, se inicia un recorrido desde el par vida-muerte hasta las relaciones con el arte, las representaciones de la muerte, las alusiones en obras plasticas o acciones, que continuara en cada una de las relaciones de la muerte con la vida: como acceso con la totalidad, la muerte y la trascendencia, y en la sociedad, los diferentes aconteceres de la muerte en la sociedad; en este ultimo punto el discurso se bifurca:  esteticismos, estetica de la destruccion, estetica del desperdicio y arte como utensilio de critica y denuncia.  finalmente, en el propio ambito del arte, lo efimero como eje de la creacion: practicas de la accion, arte mecanico y las intervenciones en el medio natural.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Un paseo por la muerte en el arte contemporaneo desde los a\u00f1os sesenta.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Un paseo por la muerte en el arte contemporaneo desde los a\u00f1os sesenta. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Beatriz Silva Uribarri <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> San Martin Martinez Javier<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Inmaculada Juli\u00e1n Gonz\u00e1lez <\/li>\n<li>Mar\u00eda  Del Mar Lozano Bartolozzi (vocal)<\/li>\n<li>Francisco Jarauta Marion (vocal)<\/li>\n<li>Bartolome Ferrando Colom (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Beatriz Silva Uribarri Introduciendo con las etimolog\u00edas y posibles acepciones del termino muerte, se inicia un recorrido [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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