{"id":131594,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/dibujo-y-proyecto-en-la-obra-de-luis-moya\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"dibujo-y-proyecto-en-la-obra-de-luis-moya","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/dibujo-y-proyecto-en-la-obra-de-luis-moya\/","title":{"rendered":"Dibujo y proyecto en la obra de luis moya."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Javier Garc\u00eda-guti\u00e9rrez Mosteiro <\/strong><\/h2>\n<p>Aborda esta tesis \u00abdibujo y proyecto de la obra de luis moya blanco\u00bb, el estudio del dibujo de arquitectura &#8211; en su acepcion mas general- en esta significativa figura del panorama arquitectonico espa\u00f1ol de este siglo; proponiendo su nombre, aun dentro de su singularidad, como representativo de lo que el dibujo alcanza a ser en el arquitecto.Se estructura la tesis en tres partes. La primera abraza el estudio del cuerpo teorico del dibujo de moya, el hecho notable de que, junto a su dilatada produccion grafica, practicara moya una permanente reflexion sobre el dibujo, registrada esta en numerosos documentos, ha permitido vertebrar una secuencia que comprende desde la educacion grafica de moya hasta su teoria de la ense\u00f1anza del dibujo como herramienta privilegiada para la formacion de arquitectos, con especial detenimiento en el estudio de la dialectica pensamiento-dibujo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Dibujo y proyecto en la obra de luis moya.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Dibujo y proyecto en la obra de luis moya. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Javier Garc\u00eda-guti\u00e9rrez Mosteiro <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Navascues Palacio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Fernando Chueca Goitia <\/li>\n<li>Rafael Manzano Martos (vocal)<\/li>\n<li>Antonio Fernandez Alba (vocal)<\/li>\n<li>Antonio Gonzalez-capitel Martinez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Javier Garc\u00eda-guti\u00e9rrez Mosteiro Aborda esta tesis \u00abdibujo y proyecto de la obra de luis moya blanco\u00bb, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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