{"id":13218,"date":"2001-09-10T00:00:00","date_gmt":"2001-09-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/angel-ferrant-1890-1961\/"},"modified":"2001-09-10T00:00:00","modified_gmt":"2001-09-10T00:00:00","slug":"angel-ferrant-1890-1961","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/angel-ferrant-1890-1961\/","title":{"rendered":"Angel ferrant (1890-1961)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Olga Fernandez Lopez <\/strong><\/h2>\n<p>La recuperacion historiografica de angel ferrant se aborda como una monografia centrada en la relacion de este artista con el contexto artistico espa\u00f1ol e internacional, valorando la incidencia de sus aportaciones, a traves de un analisis de su produccion escult\u00f3rica, escogiendo el formato cronologico para permitir un discurrir ajustado de las posibles influencias y sus conocimientos sobre el arte de vanguardia y su impacto posterior, aunque este no sea inmediato.  el debate que ferrant establece entre arte moderno y decimononico le lleva a la asuncion plena de la autonomia formal de la obra de arte, conduciendole, en sucesivos pasos, a la liberacion del principio de semejanza y a la adopcion de una idea de forma ligada a la percepci\u00f3n emotiva y subjetiva del artista. en este setido se considera fundamental su papel en la elaboracion concreta de salidas subjetivas del noucentismo y en la consolidacion de la escultura objetual durante su estancia en barceona (1920-1934). La aceptacion de nuevos principios mimeticos va acompa\u00f1ada de nuevos procedimientos compositivos en relaci\u00f3n con tecnicas constructivas y combinatorias, difuminando las divisiones  entre percepcion, mimesis, creacion y recepci\u00f3n a traves de una nueva mirada de origen surrealista, que le lleva a investigar en torno a los limites de lo escult\u00f3rico (escultura y objeto artistico). En estos a\u00f1os ferrant se identifica con una via modernizadora que permite enlazar la timida vanguardia espa\u00f1ola con las corrientes internacionales, a traves de un estilo sintetico que tuvo un incipiente desarrollo en el ambito catala, especialmente entre escultores como cristofol, serra o marinel.Lo, sobre los que ferrant ejerci\u00f3 una fuerte influencia, y una singular aclimatacion en el escenario artistico madrile\u00f1o, en las figuras de alberto y palencia.  a partir de 1934, instalado en Madrid, trabaja con el concepto de estereotomia, como modelo combinatorio de piezas versatiles, apoyado en<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Angel ferrant (1890-1961)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Angel ferrant (1890-1961) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Olga Fernandez Lopez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/10\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Valeriano Bozal Fern\u00e1ndez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: delf\u00edn Rodr\u00edguez ruiz <\/li>\n<li>guillermo Solana d\u00edez (vocal)<\/li>\n<li>eugenio Carmona mato (vocal)<\/li>\n<li> Balsaem peig Mar\u00eda  Jos\u00e9 (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Olga Fernandez Lopez La recuperacion historiografica de angel ferrant se aborda como una monografia centrada en la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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