{"id":132273,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/divinas-y-humanas-letras-alegoria-e-historia-en-el-auto-sacramental-edicion-critica-estudio-y-notas-de-el-cordero-de-isaias-de-calderon-de-la-barca\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"divinas-y-humanas-letras-alegoria-e-historia-en-el-auto-sacramental-edicion-critica-estudio-y-notas-de-el-cordero-de-isaias-de-calderon-de-la-barca","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/divinas-y-humanas-letras-alegoria-e-historia-en-el-auto-sacramental-edicion-critica-estudio-y-notas-de-el-cordero-de-isaias-de-calderon-de-la-barca\/","title":{"rendered":"Divinas y humanas letras: alegoria e historia en el auto sacramental. edicion critica, estudio y notas de \u00abel cordero de isaias\u00bb de calderon de la barca."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Del Carmen Pinillos Salvador <\/strong><\/h2>\n<p>Este trabajo consiste en la obtencion de un texto fiable del auto sacramental de calderon titulado \u00abel cordero de isaias\u00bb, y representado en Madrid, con motivo de la celebracion del corpus de ese a\u00f1o. El primer apartado de este trabajo consiste en un estudio introductorio de la obra (pp. 7-144). En este prologo se analizan algunos datos externos (pp. 7-19) como las circunstancias de representacion, autoria, datacion, compa\u00f1ia y actores&#8230;  un segundo capitulo (pp. 20-69) esta dedicado a la composicion dramatica: su estructura compositiva &#8211; estructurada en bloques dramaticos-; los los motivos biblicos, alegoricos, teologicos, emblematicos&#8230; Las pp.  70-78 versan sobre el lenguaje poetico, los estilemas del poeta (estructuras sintacticas paralelisticas, argumentaciones ecolasticas, lexico culto&#8230;).  finalmente las pp. 79-90) recogen algunos datos sobre la representacion:  vestuario, musica y escenografia&#8230; La panoramica textual del auto, el estema de todos los todos los testimonios, tanto manuscritos (11) como impresos (5), quedan recogidos en el estudio textual la edicion de texto dramatico incluyeun aparato de notas que intentan hacer asequible la obra a un lector de hoy. Las ultimas paginas incluyen un listado de variantes (pp. 349-421) y un indice de las notas (pp. 423-34), en el que las menciones y alusiones biblicas se recogen s. V. Biblia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Divinas y humanas letras: alegoria e historia en el auto sacramental. edicion critica, estudio y notas de \u00abel cordero de isaias\u00bb de calderon de la barca.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Divinas y humanas letras: alegoria e historia en el auto sacramental. edicion critica, estudio y notas de \u00abel cordero de isaias\u00bb de calderon de la barca. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Del Carmen Pinillos Salvador <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ignacio Arellano Ayuso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Luciano Garc\u00eda Lorenzo <\/li>\n<li>Ildefonso Adeva Mart\u00edn (vocal)<\/li>\n<li>Kurt Spang (vocal)<\/li>\n<li> Reyes Pe\u00f1a Mercedes De Los (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Del Carmen Pinillos Salvador Este trabajo consiste en la obtencion de un texto fiable del auto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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