{"id":132452,"date":"1996-01-01T00:00:00","date_gmt":"1996-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-epistemologia-y-el-arte-de-las-ciencias-puras-y-los-objetos-artisticos-desde-1960\/"},"modified":"1996-01-01T00:00:00","modified_gmt":"1996-01-01T00:00:00","slug":"la-epistemologia-y-el-arte-de-las-ciencias-puras-y-los-objetos-artisticos-desde-1960","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-epistemologia-y-el-arte-de-las-ciencias-puras-y-los-objetos-artisticos-desde-1960\/","title":{"rendered":"La epistemolog\u00eda y el arte (de las ciencias puras y los objetos artisticos desde 1960)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Castro Mu\u00f1iz Jos\u00e9 A. <\/strong><\/h2>\n<p>El trabajo esta orientado en la dinamica del arte moderno de las ultimas decadas como manifestacion de conocimiento humano. En su relacion con su entorno cultural, este se ha venido impregnando de los conocimientos y la tecnolog\u00eda existente y es reflejo asi mismo de las metodolog\u00edas aplicadas al resto de las ciencias con las que comparte los estudios universitarios.  se hace, para ello, un analisis epistemologico de los paradigmas con los que se desarrolla la ciencia, y de como estos influyen inevitablemente en el arte. La transformacion del concepto de \u00abobjeto de arte\u00bb, la concepcion del espacio y el tiempo en la fisica, la evolucion de la geometria moderna, etc., Son algunos de los capitulos de donde se extraen los argumentos para hablar posteriormente del desafio del arte conceptual, del arte como experimento o incluso del papel del artista a partir de los a\u00f1os 60.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La epistemolog\u00eda y el arte (de las ciencias puras y los objetos artisticos desde 1960).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La epistemolog\u00eda y el arte (de las ciencias puras y los objetos artisticos desde 1960). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Castro Mu\u00f1iz Jos\u00e9 A. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1996<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jose Chavete Rodriguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Tolosa Mar\u00edn Jos\u00e9 Lu\u00eds <\/li>\n<li>Juli\u00e1n Irujo Andueza (vocal)<\/li>\n<li>Jes\u00fas Hernandez Sanchez (vocal)<\/li>\n<li> Prada Vega Jos\u00e9 Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Castro Mu\u00f1iz Jos\u00e9 A. El trabajo esta orientado en la dinamica del arte moderno de las ultimas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5537,4510,165,956,1111,18657],"tags":[246289,81719,6495,13055,22744,7360],"class_list":["post-132452","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-epistemologia","category-estetica-de-las-bellas-artes","category-filosofia","category-filosofia-del-conocimiento","category-teoria-analisis-y-critica-de-las-bellas-artes","category-vigo","tag-castro-muniz-jose-a","tag-jesus-hernandez-sanchez","tag-jose-chavete-rodriguez","tag-julian-irujo-andueza","tag-prada-vega-jose-manuel","tag-tolosa-marin-jose-luis"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/132452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=132452"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/132452\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=132452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=132452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=132452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}