{"id":132941,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-presencia-de-cesare-pavese-en-los-narradores-del-medio-siglo\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"la-presencia-de-cesare-pavese-en-los-narradores-del-medio-siglo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-presencia-de-cesare-pavese-en-los-narradores-del-medio-siglo\/","title":{"rendered":"La presencia de cesare pavese en los narradores del medio siglo."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eugenio Asensio Solaz <\/strong><\/h2>\n<p>Debido a diferentes aspectos sociales y artisticos, como pudieran ser las limitaciones politicas (censura &#8230;), asi como la mediocridad de la literatura \u00aboficial\u00bb, durante los a\u00f1os de la posguerra, en ocasiones la literatura espa\u00f1ola tuvo que mirar hacia fuera para poder satisfacer las inquietudes literarias de los mas jovenes autores.  entre otros, pavese ocupa una parcela de interes para los narradores de la segunda promocion de posguerra. Su presencia puede constatarse en la decada de los 50 y los primeros a\u00f1os de los 60. Nosotros nos hemos detenido en los a\u00f1os que transcurren desde 1953 a 1963.  pavese aporta a la literatura espa\u00f1ola un tratamiento particular de temas universales. Nuestros narradores ven en pavese un modelo, al tiempo que una victima del periodo que le toco vivir. Nos hemos detenido en la narracion de autores como carmen martin gaite, jesus fernandez santos, ana m. Matute, juan garcia hortelano, juan goytisolo y luis goytisolo.  el trabajo finaliza con el testimonio de protagonistas del momento.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La presencia de cesare pavese en los narradores del medio siglo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La presencia de cesare pavese en los narradores del medio siglo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eugenio Asensio Solaz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Adolfo Sotelo V\u00e1zquez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Lu\u00eds Izquierdo Salvador <\/li>\n<li>Ram\u00f3n Oteo Sans (vocal)<\/li>\n<li>Ricardo Senabre Sempere (vocal)<\/li>\n<li>Raffaele Pinto Stanziano (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eugenio Asensio Solaz Debido a diferentes aspectos sociales y artisticos, como pudieran ser las limitaciones politicas (censura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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