{"id":13299,"date":"2018-03-09T08:59:32","date_gmt":"2018-03-09T08:59:32","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-y-humanismo-a-traves-de-los-tarots-lombardos-del-siglo-xv\/"},"modified":"2018-03-09T08:59:32","modified_gmt":"2018-03-09T08:59:32","slug":"arte-y-humanismo-a-traves-de-los-tarots-lombardos-del-siglo-xv","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/arte-y-humanismo-a-traves-de-los-tarots-lombardos-del-siglo-xv\/","title":{"rendered":"Arte y humanismo a trav\u00e9s de los tarots lombardos del siglo xv"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gon\u00c1\u00a7alves Alves Kathia M. <\/strong><\/h2>\n<p>Las im\u00e1genes narrativas de los arcanos mayores de los tarots evocan una red de conceptos filos\u00f3ficos hist\u00f3ricos y mitol\u00f3gicos capaces de llevarnos a la reflexi\u00f3n sobre los valores de la vida.  el inter\u00e9s por los discursos evocados por estas im\u00e1genes conduce a las particulares barajas lombardas del siglo xv. Entre los tres mazos realizados en el per\u00edodo de los visconti -cary-yale, brera-brambilla y visconti-sforza -este \u00faltimo fue la principal fuente de reflexi\u00f3n de este trabajo, no s\u00f3lo por ser el m\u00e1s completo que se conoce, sino por estar formado por catorce im\u00e1genes realizadas seg\u00fan las tradiciones que inspiraron el tardo-g\u00f3tico lombardo y otras seis miniadas sucesivamente en el ambiente renacentista.  la presencia de dos maestros procedentes de ambientes culturales y art\u00edsticos distintos, pero como se verificar\u00e1 filos\u00f3ficamente afines, ha suscitado la cuesti\u00f3n cardinal de la investigaci\u00f3n: que es comprender los matices que el intervalo hist\u00f3rico se\u00f1al\u00f3 al pensamiento human\u00edstico que inspir\u00f3 las dos series de im\u00e1genes que hoy componen el mazo visconti-sforza.  el estudio del contexto y del c\u00f3digo en las dos primeras partes de la investigaci\u00f3n, m\u00e1s el enlace de las fases anal\u00edtica e interpretativa de los sujetos de los arcanos realizados a trav\u00e9s de la comparaci\u00f3n de otras 280 im\u00e1genes, permiti\u00f3 observar los diferentes valores human\u00edsticos que resaltan tras las figuras de las cartas y concluir el estudio con una nueva hip\u00f3tesis sobre la configuraci\u00f3n originaria del mazo visconti-sforza de la colecci\u00f3n pierpont morgan-b\u00e9rgamo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte y humanismo a trav\u00e9s de los tarots lombardos del siglo xv<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte y humanismo a trav\u00e9s de los tarots lombardos del siglo xv <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gon\u00c1\u00a7alves Alves Kathia M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/10\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Raimon Arola Ferrer<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josep Cerd\u00ed\u00a0 ferr\u00e9 <\/li>\n<li>victoria Cirlot valenzuela (vocal)<\/li>\n<li>blanca Gari de aguilera (vocal)<\/li>\n<li>amador Vega esquerra (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gon\u00c1\u00a7alves Alves Kathia M. Las im\u00e1genes narrativas de los arcanos mayores de los tarots evocan una red [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,14281,4100,104,1014,222,1111],"tags":[36447,43233,43229,43231,43230,43232],"class_list":["post-13299","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-danza-y-coreografia","category-dibujo-y-grabado","category-historia","category-historia-del-arte","category-historias-especializadas","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-amador-vega-esquerra","tag-blanca-gari-de-aguilera","tag-gonaalves-alves-kathia-m","tag-josep-cerdi-ferre","tag-raimon-arola-ferrer","tag-victoria-cirlot-valenzuela"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/13299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=13299"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/13299\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=13299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=13299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=13299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}