{"id":133031,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-puente-y-la-escultura-un-dialogo-entre-funcionalidad-y-estetica\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"el-puente-y-la-escultura-un-dialogo-entre-funcionalidad-y-estetica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-puente-y-la-escultura-un-dialogo-entre-funcionalidad-y-estetica\/","title":{"rendered":"El puente y la escultura: un dialogo entre funcionalidad y estetica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ascension Garcia Garcia <\/strong><\/h2>\n<p>Este trabajo de investigacion plantea una relacion entre los puentes y su historia, estructura y funcionalidad, su analisis estetico formal y la escultura. Como metodo de aproximacion se utiliza una doble via: la via historica, mediante un recorrido por los puentes de todas las epocas, poniendo en paralelo la evolucion formal de los mismos con los materiales y tecnolog\u00edas utilizados. A la vez, se intercalan, de manera comparativa, propuestas escultoricas que se aproximan al lenguaje de los puentes por analogia. No se marcan limites temporales ni tampoco espaciales, entendiendo que el lenguaje de los puentes es un lenguaje universal. La via analitica se resuelve con una propuesta que parte de tres ambitos de conocimiento perceptivo, interpretativo y grafico; para concluir con la conceptualizacion de categorias visuales que son susceptibles de ser aplicadas a una lectura estetico-formal de los puentes. La mayor aportacion de este estudio se desprende de la amplitud de sus objetivos, lo que deja caminos abiertos, pero tambien un recorrido iniciado del que destacaria las siguientes aportaciones:  el plantemiento interdisciplinar, la sistematizacion, la propuesta de metodolog\u00eda y la conexion interdisciplinar.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El puente y la escultura: un dialogo entre funcionalidad y estetica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El puente y la escultura: un dialogo entre funcionalidad y estetica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ascension Garcia Garcia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fernando Hernandez Hernandez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Fernandez Ordo\u00f1ez Jos\u00e9 Antonio <\/li>\n<li>David Serrat Congost (vocal)<\/li>\n<li>Josep Munta\u00f1ola Thornbergs (vocal)<\/li>\n<li>Antoni Remesar Betlloch (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ascension Garcia Garcia Este trabajo de investigacion plantea una relacion entre los puentes y su historia, estructura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,4363,1111],"tags":[28049,51518,446,105795,1146,15638],"class_list":["post-133031","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antoni-remesar-betlloch","tag-ascension-garcia-garcia","tag-david-serrat-congost","tag-fernandez-ordonez-jose-antonio","tag-fernando-hernandez-hernandez","tag-josep-muntanola-thornbergs"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/133031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=133031"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/133031\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=133031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=133031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=133031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}