{"id":13307,"date":"2018-03-09T08:59:32","date_gmt":"2018-03-09T08:59:32","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-ventana-como-clasica-metafora-de-la-pintura\/"},"modified":"2018-03-09T08:59:32","modified_gmt":"2018-03-09T08:59:32","slug":"la-ventana-como-clasica-metafora-de-la-pintura","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-ventana-como-clasica-metafora-de-la-pintura\/","title":{"rendered":"La ventana como cl\u00e1sica met\u00e1fora de la pintura"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Joaquin Escuder Viruete <\/strong><\/h2>\n<p>La pintura occidental, al adoptar el formato rectangular en el cuadro, consolid\u00f3 un esquema de funcionamiento de \u00ab\u00bbventana abierta al mundo. A partir de esa identificaci\u00f3n estructural y conceptual entre la pintura y la ventana, \u00e9sta se convierte en un recurso pl\u00e1stico pict\u00f3rico de primer orden, como met\u00e1fora visual y material de dichas implicacioanes.La tesis aborda esta conexi\u00f3n desde diferentes parcelas de investigaci\u00f3n, conceptos fundamentales del arte, donde se tratan: la visualidad, la representaci\u00f3n, la idea de l\u00edmite y fragmenteo, la autoconciencia, la analog\u00eda, la iconograf\u00eda, la historia del arte; centr\u00e1ndose en obras y autores del siglo xx que desempe\u00f1an un papel significativo y conceptual. Para terminar con la aportaci\u00f3n pict\u00f3rica del doctorando, que tiene a la ventana como eje vertebrador de su trabajo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La ventana como cl\u00e1sica met\u00e1fora de la pintura<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La ventana como cl\u00e1sica met\u00e1fora de la pintura <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Joaquin Escuder Viruete <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/10\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Bautista Peiro Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rafael S\u00e1nchez-carralero l\u00f3pez <\/li>\n<li>Javier Pereda piquer (vocal)<\/li>\n<li>Juan Hern\u00e1ndez piJuan (vocal)<\/li>\n<li>joaqu\u00edn Chancho cabr\u00e9 (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Joaquin Escuder Viruete La pintura occidental, al adoptar el formato rectangular en el cuadro, consolid\u00f3 un esquema [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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