{"id":133140,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/filosofia-de-la-musica-romantica-la-polemica-filosofico-musical-del-romanticismo-aleman-entre-la-musica-pura-y-la-musica-programatica\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"filosofia-de-la-musica-romantica-la-polemica-filosofico-musical-del-romanticismo-aleman-entre-la-musica-pura-y-la-musica-programatica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/filosofia-de-la-musica-romantica-la-polemica-filosofico-musical-del-romanticismo-aleman-entre-la-musica-pura-y-la-musica-programatica\/","title":{"rendered":"Filosofia de la musica romantica. la polemica filosofico-musical del romanticismo aleman entre la musica pura y la musica programatica."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Polo Pujadas M. Magdalena <\/strong><\/h2>\n<p>En el romanticismo aleman existe una fuerte relacion entre la filosofia y la musica. Es mas, es en el ambito de la estetica donde se discuten algunas de las polemicas musicales mas esenciales de la historia de la musica. Y este es el caso de la polemica entre la musica pura y la programatica, polemica que genera la musica absoluta. La musica pura es una musica instrumental autonoma en la cual no interviene nada externo a ella misma, se manifiesta \u00aban sich\u00bb y \u00abfur sich\u00bb. La mayoria de los estetas la han denominado musica absoluta, pero precisamente uno de los objetivos de esta tesis doctoral es dilucidar que implica este absoluto musical y que filosofias lo determinan. La musica programatica es tambien musica instrumental, pero, a diferencia de la anterior, sigue algun programa, ya sea literario, pictorico, etc., Por tanto, se guia de algo externo y que a menudo participa de la relacion-fusion con otras manifestaciones artisticas. El objetivo de esta tesis ha sido el de delimitar y describir la dialectica que existe entre ambas manifestaciones musicales, a partir de los textos mas significativos de wackenroder, schelling, hegel, schopenhauer, liszt, feuerbach, wagner, nietzsche y hanslick, y que origina la musica absoluta, fruto de la \u00abgesamtkunstwerk\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Filosofia de la musica romantica. la polemica filosofico-musical del romanticismo aleman entre la musica pura y la musica programatica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Filosofia de la musica romantica. la polemica filosofico-musical del romanticismo aleman entre la musica pura y la musica programatica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Polo Pujadas M. Magdalena <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Morey Farr\u00e9<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Agustin Gonzalez Gallego <\/li>\n<li>Gerard Vilar Roca (vocal)<\/li>\n<li>Antoni Mari Mu\u00f1oz (vocal)<\/li>\n<li>Xos\u00e9 Avi\u00f1oa P\u00e9rez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Polo Pujadas M. Magdalena En el romanticismo aleman existe una fuerte relacion entre la filosofia y la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[960,951,147,10452,165,9132,1111],"tags":[1083,4159,20219,8506,247116,20232],"class_list":["post-133140","post","type-post","status-publish","format-standard","hentry","category-antropologia-filosofica","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-estetica","category-filosofia","category-musica-y-musicologia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-agustin-gonzalez-gallego","tag-antoni-mari-munoz","tag-gerard-vilar-roca","tag-miguel-morey-farre","tag-polo-pujadas-m-magdalena","tag-xose-avinoa-perez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/133140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=133140"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/133140\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=133140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=133140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=133140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}