{"id":133500,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/the-british-humorous-novel-in-the-second-half-of-this-century-a-study-in-genre\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"the-british-humorous-novel-in-the-second-half-of-this-century-a-study-in-genre","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/the-british-humorous-novel-in-the-second-half-of-this-century-a-study-in-genre\/","title":{"rendered":"The british humorous novel in the second half of this century: a study in genre."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Larkin Gali\u00f1anes M. Cristina <\/strong><\/h2>\n<p>La tesis consta de un analisis pragmatico de siete obras, representativas de la novela de humor contemporaneo britanico, con el fin de definir de forma objetiva las tecnicas comunicativas que las diferencian como subgenero de la novela en general. Las novelas estudiadas son \u00ablucky jim\u00bb, \u00abthe fat english man\u00bb, de kingsley amis, \u00abriotous assembly\u00bb y \u00abwilt\u00bb de tom sharpe, \u00aba good man in africa\u00bb de william boyd, \u00absmall world\u00bb de david lodge, y \u00abmoney\u00bb de martin amis. Se establece en primer lugar una definicion de genero que tiene en cuenta las tecnicas comunicativas de las obras literarias y luego se procede a definir aquellos tipicos de los chistes y actos de habla humoristicos. A continuacion se procede a un analisis de las obras objeto de estudio, conjugando las caracteristicas genericas de la novela, con aquellas tipicas del humor.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>The british humorous novel in the second half of this century: a study in genre.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 The british humorous novel in the second half of this century: a study in genre. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Larkin Gali\u00f1anes M. Cristina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Miguez Ben<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Angeles De La Concha Mu\u00f1oz <\/li>\n<li>Eduardo Varela Bravo (vocal)<\/li>\n<li>Jos\u00e9 Siles Artes (vocal)<\/li>\n<li>Manuela Palacios Gonzalez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Larkin Gali\u00f1anes M. Cristina La tesis consta de un analisis pragmatico de siete obras, representativas de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,104,713,222,977,628],"tags":[34477,2897,247491,247490,21097,64123],"class_list":["post-133500","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-literatura","category-historias-especializadas","category-santiago-de-compostela","category-teoria-analisis-y-critica-literarios","tag-angeles-de-la-concha-munoz","tag-eduardo-varela-bravo","tag-jose-siles-artes","tag-larkin-galinanes-m-cristina","tag-manuel-miguez-ben","tag-manuela-palacios-gonzalez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/133500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=133500"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/133500\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=133500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=133500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=133500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}