{"id":133959,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/procesos-artisticos-globales-en-los-entornos-del-espejo-entendido-como-entidad-metaforica-de-la-realidad\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"procesos-artisticos-globales-en-los-entornos-del-espejo-entendido-como-entidad-metaforica-de-la-realidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/procesos-artisticos-globales-en-los-entornos-del-espejo-entendido-como-entidad-metaforica-de-la-realidad\/","title":{"rendered":"Procesos artisticos globales en los entornos del espejo entendido como entidad metaforica de la realidad."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Lin Youn Jien <\/strong><\/h2>\n<p>La investigacion propone una revision de la presencia del espejo en el arte desde la antiguedad hasta las experiencias artitisticas del siglo xx.El espejo ha sido tratado como un ente complejo, un espacio de especulacion, materico, espacial, poetico, ideologico y poseedor de una alta vitalidad creativa.Las aportaciones que desarrolla la investigacion estan relacionadas con enfoques teoricos entorno a las valoraciones y significaciones del espejo desde el pensamiento oriental y el pensamiento occidental, que concluye en conclusiones practicas y experimentales determinantes, desde un compromiso con la memoria, la historia y el contexto.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Procesos artisticos globales en los entornos del espejo entendido como entidad metaforica de la realidad.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Procesos artisticos globales en los entornos del espejo entendido como entidad metaforica de la realidad. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Lin Youn Jien <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Osakar Olaiz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio P\u00e9rez Pineda <\/li>\n<li>Alfonso Maso Guerri (vocal)<\/li>\n<li>Jos\u00e9 Chavete Rodriguez (vocal)<\/li>\n<li>Hipolito Perez Calvo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Lin Youn Jien La investigacion propone una revision de la presencia del espejo en el arte desde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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